“My whole life, I had used stories, both my own and other people’s, to check out of grocery store lines and long bus trips, stints in doctors’ waiting rooms, heartache, my own depression, and finally of the tedious exhaustion of new motherhood. Now, here I was in this 15-by-20 room, where monitors and alarms were constantly beeping, and there was no way out, except the unimaginable.” Alyson Foster, author of Heart Attack Watch, writes about her son’s illness and her love of reading.
New this week: How to Set a Fire and Why by Jesse Ball; I Am No One by Patrick Flanery; The Long, Hot Summer by Kathleen MacMahon; The Trap by Melanie Raabe; Absalom’s Daughters by Suzanne Feldman; The Dream Life of Astronauts by Patrick Ryan; and Angels of Detroit by Christopher Hebert.
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn’s “Critic’s Manifesto” may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
“They might underline a page number, draw a little star on the last page, or write their first initial somewhere in the book.” A librarian in Scotland discovered a secret code used by elderly patrons to track which books they already read. From our archives: an essay on the importance of libraries and how they can stay relevant.