Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
Incredible interview with the New Yorker’s Jon Lee Anderson. He tells about the time he was arrested in Guinea and accused of being a spy. Happens to journalists all the time, you say? No, this was when he was thirteen. If he ever writes a memoir, publishers will be lining up. (via Jenny)I thoroughly enjoyed Ed’s account of a near-drink with William T. Vollmann.Golden Rule Jones has a lovely new home. Be sure to update your bookmarks and feed readers.Interesting article about a promotional push by The Economist in Baltimore. A few years ago, I started hearing people talk about The Economist all the time. I wasn’t sure if the magazine was getting more popular or if I was just traveling in different circles. This quote clears it up: “Of The Economist’s worldwide circulation of just less than 1.1 million, Rossi said, North America accounts for a bit more than half, at 569,336, a figure that has increased 47.3 percent since 2001.” Wow, that’s a big jump. They deserve it. It’s a great magazine. If I had more time, I’d read every issue all the way through.
Shirley Clarke, older sister of Elaine Dundy (who wrote Millions favorite The Dud Avocado), was an Academy Award-winning filmmaker. If you’re curious about her work, you’ll be happy to learn that Milestone Films will soon begin their Shirley Clarke Project by releasing her restored documentaries, and on Friday, May 4th, they’ll be releasing her first film, The Connection. You can check out a trailer here. (via)
And now, a little bit about a world you might be totally unfamiliar with; this piece from The Rumpus is a fascinating, in-depth look at identity politics and eating pork in the Chinese borderlands. Bonus: a complementary piece about what it’s like to be a Chinese-American writer living in china.
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.