Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
POC Destroy Fantasy
More YA for Grownups
The Atlantic is kicking off its new series, YA for Grown Ups, with an examination of “The Greatest Girl Characters in Young Adult Literature.” Obviously The Hunger Games‘s Katniss Everdeen is up there, but don’t worry, Ramona Quimby makes the list too.
Marr Resigns
Politico reporter Kendra Marr was forced to resign her position this week after New York Times writer Susan Stellin alerted Marr’s editors to similarities between her transportation policy story published Sept. 26 and Marr’s story published Oct. 10. An investigation by Politico into Marr’s work found seven instances of likely plagiarism. Regret the Error points out that Politico should call Marr’s stories what they are: serious plagiarism.
●
●
The Not-So-Invisible Man
“The novel is told from the perspective of an unnamed African-American narrator who considers himself to be socially invisible due to the color of his skin,” writes Variety. Following in the footsteps of its adaptation of Margaret Atwood‘s The Handmaid’s Tale, Hulu is in the beginning stages of adapting Ralph Ellison‘s Invisible Man. Read our own editor Lydia Kiesling on Ellison’s Invisible Man.
All Things Interwoven
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.
Class with Harry Crews
When asked about his tenure as a professor of creative writing, Harry Crews used to say, “I may be at the university, but I damn sure ain’t of the university.” But in talking to his former students, Crews’s biographer, Ted Geltner, found that in spite of the writer’s efforts to distance himself from academia, he really was a passionate, memorable teacher. (Bonus: Yours truly named one Crews work his “most representative” Florida book.)