Heads up! Fantasy Magazine is looking for submissions for their special issue, “People of Colo(u)r Destroy Fantasy.” Per the guidelines: “We’re looking for original, unpublished fantasy stories of up to 7500 words written by People of Colo(u)r. The stories can be set in this world with fantastical elements or they can take place in another world entirely. Please avoid timeworn cliches like the White Savior, the Magical Negro, and the Woman Who Is Only A Sex Object.”
POC Destroy Fantasy
The Too-Short History of Soft Skull
NY Press has a long look at the history of iconoclastic indie press Soft Skull, which recently shuttered its New York office, effectively ending the publisher’s run as a standalone press and making it just an imprint of California-based parent (and, it should be noted, rescuer from financial straights) Counterpoint. Incidentally, I’ve had a front row seat for all this, as, for the book I’m co-editing, I was initially working with the good folks in New York and then everything was suddenly (and thankfully without a hitch) transferred to the folks in Berkeley. (Thanks, Craig)
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The Darkest, Funniest Horse
“As a Pulitzer winner, it’s a unicorn.” For the Washington Post, book critic Ron Charles praised the Pulitzer Prize judges for awarding the Fiction prize to Andrew Sean Greer‘s Less, a comedic, “laugh-till-you-can’t-breathe funny” novel. Pair with: our post with all the 2018 Pulitzer winners.
One Fish, Two Fish
“Everything on the surface of the world is so chaotic right now, so there’s a desire to access a place that’s more uncharted.” The New York Times profiles author Melissa Broder and her new novel, The Pisces (which was part of our Great 2018 Book Preview).
The Guesthouse of Mirth
Edith Wharton is known as a novelist but she was also a wonderful hostess, whose guests (including Henry James) remember her as “kindness and hospitality incarnate.” Kate Bolick has turned Wharton’s life-long attempt to master “the complex art of civilized living” into an entertaining guide, “The Guesthouse of Mirth,” just in time for those last few summer parties. Pair with Roxana Robinson‘s reflections on Wharton’s life and works, including the original The House of Mirth.
Thanks, Amigo
In his upcoming book Borrowed Words, Philip Durkin looked at the languages that have shaped English over the centuries, charting the influence of Spanish, Italian, French and more. At Slate, he sums up his most important data with the help of an interactive tool.
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Medvedev’s America
Kirill Medvedev’s “America: A Prophecy” has been published for Triple Canopy as part of the “Immaterial Literature” project. The suite, translated by n+1 editor Keith Gessen, is composed of pieces from the Russian poet’s forthcoming It’s No Good collection.
Talking Translation
In an interview at The Brooklyn Rail, Susan Bernofsky talks about translating The Tanners, the last novel by the great Robert Walser to appear in English.
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An Orphaned Bear
“He sat on a shelf of our one-roomed apartment for a while, and then one day when I was sitting in front of my typewriter staring at a blank sheet of paper wondering what to write, I idly tapped out the words ‘Mr. and Mrs. Brown first met Paddington on a railway platform. In fact, that was how he came to have such an unusual name for a bear, for Paddington was the name of the station.’ It was a simple act, and in terms of deathless prose, not exactly earth shattering, but it was to change my life considerably. … Without intending it, I had become a children’s author.” Michael Bond, creator of the Paddington Bear series, has died at 91, reports NPR. We’d like to think that Bond might have appreciated our own Jacob Lambert‘s series, “Are Picture Books Leading Children Astray?” – in particular this entry questioning the moral fiber of We’re Going on a Bear Hunt.
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