Recommended Reading: Vinson Cunningham at The New Yorker on what makes an essay “American.”
"Every story that works gets the level of description that it needs. Which isn’t to say that the level of description needed for every successful story is the same." Tobias Carroll surveys the wide variety of detail density in fiction for Electric Literature.
With a huge winter storm bearing down on the East Coast, the Hopkinton library in Massachusetts did the only sensible thing: they erected a sign extolling the virtues of curling up with a book. What makes theirs unique is that, unlike many of their peers, they found a way to avoid the “warm yourself up” cliché. (Previously spotted on Reddit: “What are some good books to read [in jail?]”)
Blood-Drenched Beard, a new novel by Daniel Galera, is poised to spark a newfound interest in Brazilian literature abroad, argues Chris Frey. In The Globe and Mail, he writes that Galera has forged an original voice, one recalling Borges and Murakami but still distinctly his own. For more on the book, you could read our review.
The Harry Ransom Center in Austin, Texas made headlines when it acquired the David Foster Wallace archives. Now it's added another high profile author to its collection: J. M. Coetzee.
Novelists, poets, and playwrights aren't the only people who can call themselves writers. Don't forget the oft begrudged screenwriters. The New York Times highlights 14 of this year's best screenwriters, including Julie Deply and Seth Rogen, and asks them for writing advice and one original line of dialogue for some excellent short films. Our favorite short film is Robert Redford's.