Recommended Reading: Vinson Cunningham at The New Yorker on what makes an essay “American.”
Eric Harvey presents The Social History of the MP3 at Pitchfork: "So omnipresent have these discussions become, in fact, that it's possible the past 10 years could become the first decade of pop music to be remembered by history for its musical technology rather than the actual music itself."
The Common will be celebrating its first year of publication later this month at NYU's Carter Journalism institute. The celebrations will include a reading from Stephen O’Connor and a performance by the Dog House Band, aka that literary rock group consisting of Sven Birkerts, James Wood, and other writerly musicians.
“Lillian haunted me when she was alive. And she has haunted me since her death in July 2015. And she has haunted me in spectacular ways since I published my memoir a month ago.” Sherman Alexie has cancelled the rest of a book tour to promote his new memoir about his relationship with his mother, reports The Guardian. See also: our interview with Ellen Forney, who illustrated Alexie's National Book Award-winning YA novel The Absolutely True Diary of a Part-Time Indian.
We all spend way too much time in airports this time of year, but Brad Leithauser searched for a metaphor about his journeys through BWI. As he writes for The New Yorker, "There was a piquant pleasure on the night when I first put these two experiences—morning churchgoing, evening airport-going—side by side. I’d been idly and only semi-consciously asking myself what these nocturnal intervals at B.W.I. reminded me of, and now, suddenly, I’d located my metaphor."