What’s the deal with all of the novels about famous writers? Perhaps it has to do with the fact that, according to Heller McAlpin at The Literary Hub, “there’s a special frisson of pleasure in reading about writers’ early struggles when you know what the future holds for them—which in the case of most of these authors is posthumous literary acclaim beyond their wildest dreams.”
April Bernard is not a fan of Writers’ Houses because she does not believe the “private life, even of the dead, is ours to plunder.” Earlier this year, our own Luke Epplin also noted some of the limitations of Writers’ Houses.
“Since I often biked to my therapist’s, he took note of my helmet and asked how my new exercise regimen was going. It’s going great! I said. I love it! I wish I’d known earlier that I ought to bike. Now I hated going underground. It was like the death instinct to go underground, into the subway. I never realized I hated it so utterly until I didn’t have to do it anymore.” On riding a bike in New York.
The University of Iowa’s International Writing House is offering a free 7-week virtual poetry seminar this February. The course will be taught be poet Margaret Ross, and it is open to anyone with an internet connection. Attendance will be capped at 15, however, and the deadline for applications is January 28th. More details can be found here.