What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir.” Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.
The Quarterly Conversation is kicking off its new “Long Essays” e-book series with Lady Chatterley’s Brother: Why Nicholson Baker Can’t Write About Sex, and Why Javier Marias Can.
Cheryl Strayed’s Wild is probably the best-known recent example of a memoir that centers on a journey through a harsh landscape. There’s another one that deserves your attention, too — Kathleen Winter’s Boundless, which tells the tale of the writer’s voyage through the icebound Northwest Passage. At The Guardian, a review of the memoir.
The Cambridge University Press just published The Letters of Samuel Beckett, Vol. 2. (Vol. 1 can be found here.) That alone is worth your time, but as an added bonus the Press’ blog has compiled a partial syllabus for the author — a sampling of the titles “on the writer’s nightstand … from 1941 to 1956.”