What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir.” Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.
Out this week: Vinegar Girl by Anne Tyler; The Mandibles by Lionel Shriver; As Good as Gone by Larry Watson; Disappearance at Devil's Rock by Paul Tremblay; My Last Continent by Midge Raymond; and The World Without Us by Mireille Juchau. For more on these and other new titles, go read our Great 2016 Book Preview.
“His writings rarely make it to the US, and are resolutely for an Indian readership. They will win no prizes nor inspire dissertations. But for these reasons they represent the actuality of what many people in the world are reading today, outside of the newly sanctified category of the 'global novel.'” Ulka Anjaria for Public Books on Chetan Bhagat, “possibly the most successful Indian English novelist ever” and largely unheard of in the west. For more fictional Desi perspectives, read Aditya Desai in our own pages on reading narratives of Indian women.
Anyone who’s read The Divine Comedy knows that rivalries and petty grudges are timeless. To further prove the point, Mallory Ortberg provided this list, which details the cattiest lines from Marcus Aurelius’ Meditations. Sample quote: “Why do unskilled and ignorant souls disturb him who has skill and knowledge?”
Anna Sun profiles the work of Mo Yan, the latest winner of the Nobel Prize for literature. While Sun acknowledges Yan’s popularity and prolific output, she also notes that what the Nobel committee referred to as “hallucinatory prose” is more often than not “repetitive, predictable, coarse, and mostly devoid of aesthetic value.” Indeed, Sun writes, “the English translations of Mo Yan’s novels … are in fact superior to the original.” [Ed. Note: It appears the Kenyon Review link was briefly not working; this Google cache may work better -- h/t Dan Farrely]