What I didn’t want was for my book to become a trauma narrative or a healing narrative that would be touted as merely a testament to love. It’s not meant to be only an uplifting and inspirational piece of literature. I’m tired of the type of memoir that just shows you its scars and wants you to feel sympathy for it. This is not that kind of memoir.” Garrard Conley interviewed over at Electric Literature in conjunction with the release of his new memoir, Boy Erased.
The New York Times is broadening its book coverage by adding more staffers and launching three new features: a literary advice column, a weekly Q&A about writing processes, and a column looking at “contemporary issues through the lens of recent and historical books.”
In Open Letters, Sam Sacks writes “Quietude is godliness in Lark & Termite” and traces Faulkner’s influence on the new book.n+1 on the 10th anniversary of Britney Spears’ “Baby One More Time”: “After her came the deluge: the end of the record industry as we know it, yes, but also the end of America as it used to conceive of itself.”Soft Skull’s Richard Nash on how to publish in a recession at Conversational Reading.William Safire on “the deluge of books occasioned by the 200th anniversary of Abraham Lincoln’s birth.” Millions reader Scott says, “I wish the Book Review would do a LOT more of this kind of stuff.”The Internet is amazing I: J! Archive, “The fan-created archive of Jeopardy! games and players – 160,032 clues and counting!”The Internet is amazing II: The NY Times has a crossword puzzle blog.Maud Newton in Granta: “Exactly how long the prostitute, unbeknownst to my father, stayed at our house and slept in my bed is hard to gauge.””Sometimes, instead of eating alone, I pretend I’m having lunch with American literary legends. Today’s pretend guest was Cormac McCarthy.”Is MacKinlay Kantor’s Andersonville “the best Civil War novel ever?” (via)At Jacket Copy, Carolyn discovers Faulkner and Delillo in the Sports Illustrated archive.Sara Paretsky: “My editor tells me this is the last time the company will let her send me a marked manuscript.”Jenny Davidson on her special pencils.Dan Radosh exposes yet another tired journalistic cliche.The novel of manners, with zombies:: Pride and Prejudice and ZombiesIn praise of the long sentence. (Hear, hear!)
“A neck cannot be modern. A neck is in time, belongs to time, but is not formed by it. My guess is that even photos of Neanderthal necks would not differ significantly… [They are] in a certain sense, pure nature. Something that grows in a certain place, the way tree trunks grow, or mussels, fungi, moss.” Recommended reading: Karl Ove Knausgaard on the sanctity of bodies, the nature of truth, and the back of the neck. The third volume of Knausgaard’s bestselling My Struggle hit American bookshelves last week. (Check out our own review of Knausgaard’s previous volumes.)
Mark O’Connell’s recent essay in these pages discussed how long, challenging novels can hold you captive (in both the good and bad senses of that phrase). Now, in the Times, Manohla Dargis and A.O. Scott come to the defense of “the slow and the boring” in film, responding Dan Kois’s Times Magazine piece confessing he’s “suffering from a kind of culture fatigue and have less interest in eating my cultural vegetables.”
Turns out Americans aren’t the only ones who adore snark. The novelist and critic Adam Mars-Jones has won the first Hatchet Job prize from the British website Omnivore for his blistering takedown of Michael Cunningham’s latest novel, By Nightfall. Mars-Jones beat out Geoff Dyer’s slam of Booker Prize winner Julian Barnes’s The Sense of an Ending. “It isn’t terrible,” Dyer wrote, “it’s just so…average.”