The archives of the British Library have been digitized, and among many other gems is this rejection of George Orwell’s Animal Farm by none other than T.S. Eliot, himself: “And after all, your pigs are far more intelligent than the other animals, and therefore the best qualified to run the farm – in fact, there couldn’t have been an Animal Farm at all without them: so that what was needed (someone might argue), was not more communism but more public-spirited pigs.”
Needs More Pigs
History as Memoir, Memoir as History
It’s impossible to deny that memoir writing is having a bit of a moment, as more and more major books delve deeply into authors’ lives for material (here’s looking at you, Knausgaard). But what happens when memoir meets straight history? According to The Canadian Press, both genres only become more interesting. “[People] think non-fiction is just boring, fuddy-duddy history books, [but] if you look at Canadian literature right now, non-fiction is incredibly exciting.”
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Wild America
“In the six years that I wrote the book, I moved around a huge amount. I was in five or six different states, and spent a lot of time on the road. I think if you’re out in this country so much, you just see a lot of weird stuff. Weird, ominous stuff.” Talking with Laura van den Berg.
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Perfectly Inexplicable
Last week, I wrote about Kathryn Schulz’s innovative interview with David Mitchell, which took place on a walk along the Irish coastline. Now, in a nice complement to our own review from today, Pico Iyer reviews the author’s latest. Sample quote: “A perfectly matter-of-fact, unvarnished evocation of how regular folks speak, married to a take-no-prisoners fascination with all that we can’t explain.” Our review of The Bone Clocks was published today.
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My Life You’re Writing
“Blackness in the white imagination has nothing to do with black people.” Claudia Rankine, author of Citizen: An American Lyric, is interviewed over at The Guardian on everything from Serena Williams to her emotionally volatile book signings to the inescapability of racism.
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Where Are You Going, Where Have You Been
Sci-fi writers are partly judged on how well they can predict where society is headed. There’s a reason that books with uncannily accurate forecasts of the future capture our interest long after their release. At Salon, William Gibson admits one way in which he got things wrong: he didn’t foresee the rise of social media. You could also read our own Bill Morris on Gibson’s Zero History.
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Maybe This Is Why They Take So Long to Finish
Robert A. Caro, who releases new installments of his Lyndon B. Johnson biography at a glacial pace, is apparently also working on another project, too. It’s “not a memoir, exactly,” he says, but it does concern “how he came to write the Johnson biography and its predecessor, The Power Broker.”
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Rachman’s Single
Tom Rachman, author of Millions Hall of Famer The Imperfectionists, has a new short story out as a Kindle Single: “The Bathtub Spy.”
The Art of Villanelle Isn’t Hard to Master
The villanelle, beloved by Elizabeth Bishop, Sylvia Plath, and Dylan Thomas, might be making a comeback.
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