“Our literary culture has distended and warped by focusing so much power in a singular place, by crowding the gatekeepers into a small ditch of commerce. A review in the Times trumps everything else. You can’t tell me that this doesn’t affect what is, finally, bound into books, marketed, and sold. Which designates what can be said and how one says it. Why do we cede American letters to a handful of corporations that exist on a single concrete patch?” This piece by Matthew Neill Null at The Literary Hub raises a lot of extremely important questions about what gets published and why.
“Why, after all, do writers write? What is the impulse, the insistence on story, on seeing and representing the world? It has little to do with technology although everything to do with narrative, which is a purpose that, on the surface, technology also seems to share. The difference is that the writer creates narrative with intention, whereas technology merely gathers, or processes, information, leaving interpretation, analysis, up to us.” Let’s just say David L. Ulin doesn’t think Joyce would work for Google.
Stephen Moss caught up with AD Harvey, the “independent scholar” who tricked an entire discipline into believing Charles Dickens met Fyodor Dostoevsky. (If you missed Eric Naiman’s initial piece on Harvey’s trail of deception and trickery, you’d do well to acquaint yourself now.)
Coming in 2012: Pop-Hop Books & Curio. Located in the Highland Park neighborhood on the east side of Los Angeles, Pop-Hop will be “a creative retail environment merging a bookstore and project space.” More information, as well as some opportunities to support the project, are available at the shop’s Kickstarter page, and also on its Facebook page.