“Our literary culture has distended and warped by focusing so much power in a singular place, by crowding the gatekeepers into a small ditch of commerce. A review in the Times trumps everything else. You can’t tell me that this doesn’t affect what is, finally, bound into books, marketed, and sold. Which designates what can be said and how one says it. Why do we cede American letters to a handful of corporations that exist on a single concrete patch?” This piece by Matthew Neill Null at The Literary Hub raises a lot of extremely important questions about what gets published and why.
“Nathan Englander’s characters have invented ‘the Anne Frank game’ whose major question is ‘who would hide you if there were another Holocaust.’ By making this a game, the characters demonstrate their affective distance from the event, but at the same time Englander illustrates that the Holocaust remains a touchstone for the marijuana-smoking, Orthodox Jews who bring the game to their secular Jewish friends.” On the fictional afterlife of Anne Frank.
Get your Bloomsday fix with our James Joyce quiz. Or you can celebrate with Emily M. Keeler, The Atlantic, a BBC dramatization, and Colm Tóibín. You can also read an excerpt from Ulysses over at Berfrois. Plus there’s a ‘Ulysses Seen‘ smartphone app (which is viewable online).
“In re-organizing the priorities of book publishing—by inventing new models rather than trying to repeat past success, by valuing ingenuity over magnitude, by thinking of sales as a way to make great books possible rather than the point—indie presses aren’t just becoming the places where the best books are published; they’re already there.” Over at The Atlantic, Nathan Scott McNamara writes on why American publishing needs indie presses. For more of his writing, check out his essay on Denis Johnson for The Millions.
“In the new environment, science fiction writers needed new formulas – or even better, needed to have the courage to operate without pre-cooked recipes of any sort. In short, science fiction needed to grow up and take on the adult world, in all its messiness and uncertainty.” Ted Gioia pens a paean to sci-fi writers of the 1960s. Among his recommendations (including a reading list of 64 works): Camp Concentration by Thomas M. Disch, whose larger oeuvre is considered here.
The Toronto Public Library is running an innovative program wherein, in addition to books and other types of media you might expect, you can also check out people; specifically, this Human Library gives you access to folks with an interesting job or story to tell, like a journalist, a Buddhist monk and a cancer survivor.