“Our literary culture has distended and warped by focusing so much power in a singular place, by crowding the gatekeepers into a small ditch of commerce. A review in the Times trumps everything else. You can’t tell me that this doesn’t affect what is, finally, bound into books, marketed, and sold. Which designates what can be said and how one says it. Why do we cede American letters to a handful of corporations that exist on a single concrete patch?” This piece by Matthew Neill Null at The Literary Hub raises a lot of extremely important questions about what gets published and why.
My Backward People
We’re Not In the Establishment. Right, Geoff?
In The Guardian, Geoff Dyer talks about about the literary establishment and how, in particular, “unspoken assumption that [it] – whatever it is – is a bad thing.”
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Questlove in Question
The Roots‘ longtime drummer Questlove found himself in hot water after his late night Michele Bachman prank, but this week he’s the subject of a 2,500 word essay in Newsweek, so things have pretty much balanced out.
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When We Were Young
Over at the Catapult, Nicole Chung has launched a series on adoption, featuring essays by Megan Galbraith and James Han Mattson. You could also check out Matthew Salesses’s Millions essay on inciting incidents and new beginnings as an adoptee.
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Essays 101
Like writing personal essays? Want to get one published on The Hairpin? Sign up for the Skillshare class Writing Personal Essays that Get Read (taught by Friendship author and Year in Reading alum Emily Gould) and you might have your essay chosen for a feature on the site. The class is included with Skillshare membership ($10 per month). Better yet: the first 50 readers of The Millions to click here can sign up for free.
All Stories Are Stories
Last week, I directed you to a piece in The Atlantic by John Yorke on the substance of stories. His argument: that all stories have one thing in common–their plot. Now, Lincoln Michel at Electric Literature suggests that rather it is all story structure models that have one thing in common–and that thing is bullshit.
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Incendiary Verse
Do you love poetry, but often wish you were monitored on more government watchlists? Well, now you can scratch both of those itches by purchasing Poetry of the Taliban, a new anthology endorsed by and published on the group’s website. Unsurprisingly, the book has garnered its share of criticism, but as Melville House’s Kelly Burdick notes, it also has a coalition of allies and proponents.
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