“No drugs on the bus!” Take a road trip with poet laureate Carol Ann Duffy and some other really fantastic poets.
After last week’s NYT “Room for Debate” feature, ostensibly in answer to the question of why so many adults read YA fiction, Roger Sutton at the Horn Book took umbrage at the panelists’ only partial engagement with the question. In the end though, he makes his own position clear: “I don’t worry about adults reading YA novels. Read what you want.”
Neurotic writers or friends-of-writers are likely to have asked themselves an uncomfortable question: do the writers I know use my foibles for material? At The New Statesman, Oliver Farry lists a number of proofs that they do, citing Dante’s Inferno, Madame Bovary and Beckett’s debut novel Murphy.
“An ideal essay is hard to define, but easy to point to. An ideal essay mines the “I” in efforts of high exposition. It is driven by a need to testify or witness, and demands the same of its reader. It is a glimpse of something uncomfortably recognizable, a requiem for the quotidian, a look over the newly-gilded edge.” Samantha Tucker Iacovetto writes about “Defining the Ideal Essay” for Brevity’s Nonfiction Blog
Celebrate literary journal Asymptote’s third anniversary in New York City later this month. The event will feature Eliot Weinberger, Jeffrey Yang (translator of Liu Xiaobo), Paris Review poetry editor Robyn Creswell, Idra Novey (translator of Clarice Lispector), and Daniella Gitlin (translator of Rodolfo Walsh). They will come together for a panel discussion on translation and readings. The event starts at 7 p.m. on Tuesday, January 21 at Housing Works Bookstore Cafe.