“I think if a woman is absolutely happy with herself, that goes a long way in getting others to accept her choices. But it’s hard to be absolutely happy with yourself, whoever you are. I mean, what kind of maniac is that?” What kind of maniac are you? This interview with Mary Gaitskill from Guernica Magazine is fantastic.
Did your MFA program offer impractical courses like “Problems in Modern Fiction”? At the Ploughshares blog, Rebecca Makkai offers some suggestions for more useful classes, such as “Introduction to Despair,” “Pretending You’re Talking to Terry Gross When You’re Alone in the Car,” and “The Art of the Flirty Author Photo Grimace.” Pair with: Our interview with Makkai.
As we mourn the loss of Anthony Bourdain, the Los Angeles Times remembers his impact on the literary world and the ways in which the literary establishment wanted him to ‘shape up’. A well-read chef and writer, Bourdain’s most well-known book was Kitchen Confidential. Pair with this essay on food writing.
In theory, the author of a great novel is invisible to the reader, letting her stories and characters speak for themselves. In practice, however, it can help for an author to make herself known, as explained by Tim Parks in this essay. Sample quote: “We have the impression that if someone ever did find the full story of his life, we would immediately recognize the person we had in mind.”