In their latest Trend Watch, Merriam-Webster announced they’ve been seeing more searches for “Kafkaesque,” a spike they attribute to British publishers writing about Booker winner Han Kang. Since the word is so overused, it’s worthwhile to ask: just what does it actually mean now, anyway? Allison Flood tries to pin it down at The Guardian.
Last week, popular science fiction author John Scalzi wrote a contentious (but necessary) blog post that likened the lives of straight white males to “the easiest difficulty setting” in the “videogame” known as life. While comments on the original post had to be closed due to uproar, the piece was reposted to Kotaku where the discussion rages on.
Writing Workshops LA – which was founded by our own Edan Lepucki – is hosting “The Conference” on June 28 of this year, and the day-long event will consist of “educational and thoughtful panel discussions as well as smaller, in-depth presentations and workshops aimed at informing and inspiring every attendee.” Presenters will include award-winning literary agents, editors, and writers including Joanna Rakoff, Adam Wilson, David L. Ulin, Counterpoint’s Dan Smetanka, and Daniel Gumbiner of McSweeney’s. Don’t miss your chance to sign up for the early bird special before April 15th – the first 40 attendees will also get an invitation to a literary pub quiz event the night before.
"Facing the daily avalanche of stories about outrageous corruption, writing about timely political issues can often feel pointless. It can be easy to lose faith in the creative process." For LitHub, an essay by Tom McAllister on writing about politically-charged traumas with humanity and his new novel, How to Be Safe. Pair with: our 2010 interview with McAllister.
With the help of the folks at Ploughshares and Medium, Year in Reading alumna Megan Mayhew Bergman is publishing a Choose-Your-Own-Adventure literary short story. To participate, read the first chapter (as well as the introduction) online, then tweet Bergman to tell her where the story should go from there.