Beyoncé’s visual album/phenomenon Lemonade has only been out for a few days and already it has spawned countless thinkpieces. One of the best and most inspiring things to come out of it has been the #LemonadeSyllabus hashtag, popularized by Rutgers University educator Candace Benbow. The series “encourages Black women to share curated reading lists of books, poems and other inspirational literature penned by Black female authors that celebrate every aspect of what it means to be a Black woman.”
Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Good news for all the Neil Gaiman fans out there–a new, four-part television series called Neil Gaiman’s Likely Stories is set to begin filming in November. The series will focus on a selection of Gaiman’s short stories and feature a singular ensemble cast throughout. This should whet everyone’s appetite for the long-awaited television adaptation of American Gods, which is set to begin production sometime in 2016.
The Guardian asked a bunch of authors, including Hilary Mantel, Geoff Dyer, and Ian Rankin, which books they “regularly reread and which novels they are desperate to unlock the secrets of.” Check out John Banville’s abiding fixation on the works on F. Scott Fitzgerald.
It’s been 23 years since Terry Pratchett and Neil Gaiman wrote Good Omens together, but a new collaboration is in the works. Director Dirk Maggs revealed to RadioTimes.com that he’s working with Gaiman on a Pratchett project for BBC Radio. Previously, Maggs teamed up with Gaiman on the excellent Neverwhere radio adaptation. More good news for Pratchett fans: he just signed a 10-book deal with Doubleday and Anchor Books.
I thoroughly enjoyed the second installment of Emdashes’ Ask the New Yorker Librarians series.Michiko Kakutani hates Jonathan Franzen’s new memoir, The Discomfort Zone. Kakutani’s wrath filled pen aside, Ed explains why she’s right, and I have to agree. I looked back through the archives here and realized I hadn’t elaborated on it much beyond writing back in 2003 that “Franzen’s non-fiction bugs the heck out of me,” but it put me off enough that I avoided reading The Corrections for a long time because of it.Speaking of reviews, it’s a good thing Bob Dylan didn’t get the Franzen treatment. He tells contactmusic.com that while he doesn’t care about music reviews, the reviews for Chronicles Vol. 1 meant a lot to him: “Most people who write about music, they have no idea what if feels like to play it, but, with the book I wrote, I thought, ‘The people who are writing reviews of this book, man, they know what the hell they’re talking about. They know how to write a book, they know more about it than me.’ The reviews of this book, some of ’em almost made me cry – in a good way. I’d never felt that from a music critic, ever.”Even though it seems like there’s another “book banning” story in the news every week, the AP reports that the 405 challenges reported to the American Library Association last year is the smallest number since they started keeping track in the early 1980s. The challenges have dropped by more than half since the ALA started Banned Books Week to promote free expression. Kudos to the librarians.The second most brilliant magazine in the world (refer to the top item in this list for the first), The Economist has a characteristically well-considered a piece on the newspaper industry’s timid efforts to embrace the Internet. Thanks to Millions contributor Andrew for sending this along.