Recommended Reading: On playing games and the cult of productivity.
New releases this week include The Signature of All Things by Eat, Pray, Love author Elizabeth Gilbert, which you can learn more about in Steve Almond’s review for the Times. Also out: The Hired Man by Aminatta Forna; The Pure Gold Baby by Margaret Drabble; Half the Kingdom by Lore Segal; The Night Guest by Fiona MacFarlane; The Daylight Gate by Jeanette Winterson; Personae by Hall of Famer Sergio de la Pava; and The Karl Kraus Project by Jonathan Franzen.
New York Review of Books Classics is having its annual Summer Sale, and some of the bundles this year are particularly enticing. For instance, you can grab perennial Millions favorite (and current international bestseller) Stoner as part of a bundle that also includes Renata Adler’s Speedboat. The publishers are also offering John Horne Burns’s lost masterpiece, The Gallery, as part of a collection of World War II novels. You may recall David Margolick’s great profile of Burns from the New York Times Magazine last month.
“What you might call an invisible economy of house sitters exists across the country,” writes Aaron Gilbreath in the Paris Review. His account of the generosity and clean counter-spaces of friends is a humbling reminder of the flip side of creative work.
Our good friends at The Morning News just rolled out a spiffy new look this morning! It’s in support of their “news for nerds” mission, which we also wholeheartedly support. Congrats, guys. Might we suggest you celebrate by reading its co-founder (and Year in Reading alum) Rosecrans Baldwin‘s very funny diary from a few years back?
“What we call them is entirely irrelevant: emigrants, migrants, refugees, exiles—we all know to whom we refer. Refugeedom is our common cultural meme. It is the story with which Christian civilization begins. We bear the imprint of the furious index finger God used to banish Adam and Eve from Eden.” Dubravka Ugrešić writes about displacement and the refugee crisis for the Literary Hub. Pair with Arnon Grunberg’s Millions essay on Ugrešić’s legacy.