Yesterday, Jane Jacobs, author of The Death and Life of Great American Cities, would have turned 100. Some used the anniversary to commemorate her life and others argued that we need to stop deifying her.
Generally speaking, it’s a good idea to take Kathryn Schulz’s book recommendations. However when she refers to something – in this case J.M. Ledgard’s Submergence – as “the best novel I’ve read so far this year,” you really ought to listen up. By the time she invokes Philip Gourevitch, Anne Carson, W. G. Sebald, and John Le Carré in her review of that book, you ought to be reaching for your wallet.
“Through such experiments, [he] seems preoccupied by the need to make this familiar form something different from what we think it is, so that it can more capably capture a reality that has fast been veering into the unreal. It’s not just that the world outside the novel has made this jump, but also that we cannot evade the world’s strangeness when the storytellers, and the characters into which they breathe life, increasingly come from such different perspectives.” On Year in Reading alum Chang-rae Lee’s new novel (which you can buy with a nifty 3D book cover).
The Times is reporting that a new film and companion book (Salinger by David Shields and Shane Salerno) “include detailed assertions that Mr. Salinger instructed his estate to publish at least five additional books — some of them entirely new, some extending past work — in a sequence that he intended to begin as early as 2015.” One of the books is said to include a retooled version of Salinger’s unpublished (but available at the Princeton library) story “The Last and Best of the Peter Pans.” Kristopher Jansma (The Unchangeable Spots of Leopards) wrote about the story for us in 2011. Bonus Link: Garth Risk Hallberg on Salinger’s legacy.
The best longread you’re likely to find this afternoon: Martin Amis talks to David Wallace-Wells about his latest novel, Lionel Asbo: State of England, America’s decline, politics, porn, post-modernism and more. Amis even dodges another attempt to bring up that book he wrote about videogames that nobody will let him live down.
James Baldwin was more famous for being an essayist and novelist, but he was also a film critic. At The Atlantic, Noah Berlatsky argues that Baldwin should be considered one of the best film critics for The Devil Finds Work. “Baldwin shows that criticism is art, which means that it doesn’t need a purpose or a rationale other than truth, or beauty, or keeping faith, or doing whatever it is we think art is trying to do.” For more on Baldwin, read our essay on his epiphanies.