Looks like you might want to add Noah Hawley’s new suspense novel Before the Fall to your reading list — this review by the New York Times is effusive in its praise. Check out the other side of what a Times review can do and pair it with this review of Laura Tillman’s The Long Shadow of Small Ghosts, which includes such lines as: “Is a book without judgment, a personal view and confidence in its validity still a book?”
The Good, the Bad, the Ugly
“When it gets loudly, IT GETS VERY LOUD INDEED”
Have you Yanks seen BBC‘s 6-episode series cum feature film The Trip? If not, your interest will be piqued by this clip of the show’s main characters doing their best Michael Caine impressions. It’s on Netflix if you’re into laughter, merriment, and that sort of thing.
Tuesday New Release Day: Irving, Morrison, Mantel, Colbert, Patchett
Time to dust off the old John Irving Recurring Themes Matrix because his new book In One Person is out today. Also out are Home by America’s last Nobel Laureate Toni Morrison and Bring Up the Bodies, Hilary Mantel’s hotly anticipated sequel to Booker- and Rooster-winning Wolf Hall. Also out is I Am a Pole, Stephen Colbert’s “children’s book” that was inspired by an epic visit from Maurice Sendak. Out in paperback is Ann Patchett’s State of Wonder.
●
●
2014’s Best Book Covers
“What is the value of a book cover if fewer and fewer people shop at bookstores?” Nicholas Blechman wonders about the purpose of the book cover at The New York Times Book Review, but he also rounds up some of the best covers of 2014, including the design for Eimear McBride‘s A Girl is A Half-Formed Thing (Millions review here, McBride’s “Year in Reading” here).
●
●
Youth Movement
A somewhat startling headline: “Amelia Lester, 26 Year Old Former Fact Checker, is the New Managing Editor of The New Yorker.” Another interesting tidbit: The New Yorker has been exempt from meeting with the consultants who are currently scrutinizing the rest of Conde Nast’s titles.
●
●
Unlikely Correspondence
In a compelling personal piece for The Paris Review, Nick Antosca recounts his unlikely relationship with a “faceless confidant.”
●
●