Looks like you might want to add Noah Hawley’s new suspense novel Before the Fall to your reading list — this review by the New York Times is effusive in its praise. Check out the other side of what a Times review can do and pair it with this review of Laura Tillman’s The Long Shadow of Small Ghosts, which includes such lines as: “Is a book without judgment, a personal view and confidence in its validity still a book?”
The Good, the Bad, the Ugly
The Personal Is Political, the Political is Personal
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
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Tuesday New Release Day: Dovlatov, Wolitzer, Moore, Sickels
2012 could be the year that we get to know Sergei Dovlatov, and our own Sonya Chung may have played a role. Her 2009 piece on the forgotten Russian humorist helped land one of his stories in PEN America. Soon we started seeing Dovlatov mentioned everywhere, and last year, Counterpoint published The Suitcase, and now The Zone will be released this week. Other new releases this week: An Available Man by Hilma Wolitzer, Heft by Liz Moore, and The Evening Hour, a debut novel by Carter Sickels.
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Raising L.A.’s Literary Profile
Wednesday night at the Hammer Museum, the editors of the new Los Angeles Review of Books explained how their new web-only book review will raise L.A.'s literary profile.
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Icon and Author
Louis Menand, Thessaly La Force, Amelia Lester, and David Haglund have come together to discuss the influence of literary powerhouse and cultural icon Joan Didion in The New Yorker’s Out Loud Podcast. Our own Michael Bourne calls Didion America’s Truth Teller in his review of her biography.
Amy Tan on Being the First for Some Readers
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the 'first' authors that people name/read when they think of Asian-American literature. "But when ["The Joy Luck Club"] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said 'At last!' and there were people who said 'How dare she?' [...] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family."
End of an Era
Fifteen years later, Salman Rushdie and John Le Carre have ended their feud.
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