The Ploughshares Emerging Writer’s Contest ends on May 15th! Check out the guidelines to find out more about how you can be published in the literary journal (and win a nice chunk of change).
Emerging Writer’s Contest
Delphi for booklovers
John Warner, your personal Biblioracle, is taking his column to the Chicago Tribune‘s Printers Row. Tell him the last five books you’ve read and he’ll recommend something delicious, nourishing, or just plain good for your next great read. Visit the Biblioracle by sending him an email at: [email protected].
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Writerly Relations
In an interview with Big Think back in 2008, David Remnick said of Philip Roth that the writer “would have been my father had Philip Roth not been a literary intellectual but rather an orthodontist in North Jersey.” At The New Yorker’s website, Remnick eulogizes Roth’s work upon his retirement. (Keith Meatto did the same thing for us.)
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“Cultivate Lightness”
What should you do if, horror of horrors, you find yourself appearing as a character in someone else’s book? Michelle Huneven shares her experience being fictionalized in an essay for The Paris Review. Her advice? “Don’t read too much into it. Cultivate lightness.” Pair with our profile of Huneven, “Not Lost, Just Rearranged.”
Davis Illustrated
Check out an illustrated adaptation of Lydia Davis’s “In a House Besieged” by Roman Muradov at The Paris Review Daily. Pair with a piece on Davis’s short short stories and Twitter.
Frances Cha on Thinking in Two Languages
Frances Cha discusses the process behind writing her book If I Had Your Face, as she navigated two languages and audiences.
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The Author Is Not the Author
Recommended Reading: Albert Mobilio on Paul La Farge’s new novel, The Night Ocean.
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The Unbearable Finitude of Reading
Beginning with the same premise—one can only read so many books in a given lifetime—two authors write very different articles: Maria Bustillos lists the recommendations of George Orwell, Henry Miller, and John Waters that she’s followed in an effort to maximize her short reading life. Marc Wortman wonders if authors are being paid by the page and, given our short lives, whether we should even bother with the behemoth volumes coming out recently.
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