There are millions of pieces out there about how dating is the worst. This one from Alexandra Schwartz at The New Yorker which questions whether dating in the 21st century is even worth the effort is, if nothing else, worth the effort it takes to read.
E-Romance Me
The Other Saul
Earlier this month, I wrote about Louis Menand’s recent New Yorker piece about The Life of Saul Bellow, a new biography of the Nobel laureate by Zachary Leader. Now, in the LRB, Andrew O’Hagan reads the book. Sample quote: “Bellow’s community was his subject and his subject was his voice.”
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Chris Ware’s Radical Honesty
Hannah Means-Shannon shares a dispatch from the Rocky Mountain Conference on Comics and Graphic Novels in which Building Stories author (and Year in Reading alum) Chris Ware discusses his creative processes.
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“No writer needs to be all the writers all the time”
Zadie Smith in conversation with Édouard Louis for the Document Journal. “Listening to the novelists Édouard Louis and Zadie Smith in conversation inspires a kind of hushed glee, a bliss familiar to eavesdroppers who encounter sublime discourse. ” How can you resist?
The Marriage Playlist
What do Talking Heads, The Smiths, Judas Priest, and Blondie have in common? They’re all featured in the playlist Picador made to accompany the paperback release of Jeffrey Eugenides’s latest novel, The Marriage Plot. The Spotify list is chock full of songs “Madeleine, Leonard, and Mitchell might have been listening to in the early 1980s.” You can read Eugenides’s take on the book’s genesis over here, too.
But When Will They Play “Free Bird?”
Meanwhile, in NPR’s recording studio, classically trained violinist Aleksey Igudesman and pianist Hyung-ki Joo perform the most original rendition of “I Will Survive” you’re going to hear all year.
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The Best of Gaddis’s Letters
Year In Reading contributor and The End of Oulipo author Scott Esposito has been reading a lot of William Gaddis’s letters recently. Over at his blog, he’s shared his favorite ten passages from Gaddis’s collected correspondence.
The Poetics of K-Pop
"In poetry, I realized again and again that 'failures' were in fact openings to more possibilities." Emily Yoon reflects on the poetic consequences of K-Pop for the Paris Review.
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