Recommended Reading: Enrique Vila-Matas on rock ‘n’ roll, anti-artists, and the central motor of his work.
Dead Ends
Should’ve Known Better
“Grief doesn’t only disturb life; it disturbs the way we talk about life. As myriad aspects of our existence are questioned and reexamined in the wake of a death, so too is our relationship with the language we rely on for our grief’s expression.” This track-by-track take on Sufjan Stevens’s Carrie & Lowell from The Rumpus is really just a magnificent, emotive piece on elegy.
●
●
Kai and Uncle Ruslan: When Memes Go Dark
“‘It’s important to realize how the funniness in these videos [such as those featuring Kai the axe-wielding hitchhiker and Uncle Ruslan] is really close to something that’s desperately unfunny,’ says Mark O’Connell, who wrote Epic Fail: Bad Art, Viral Fame, and the History of the Worst Thing Ever.”
●
●
Mapping the Territory
“No map can be a perfect representation of reality; every map is an interpretation, which may be why writers are so drawn to them,” Casey N. Cep writes about the fictional map at The New Yorker. Pair with: Our review of Where You Are.
Free Poetry!
How would like to receive some free issues of Poetry magazine for your book club? Poetry, by the way, answered our call in our Tumblr round-up and has since joined the platform.
●
●
Type Wars
For everyone who likes typography and arguments, New York Magazine has a story up that covers the type designers Jonathan Hoefler and Tobias Frere-Jones and follows the pair through their success to their ultimate rift. For those who prefer debates with more immediate impact, Mental Floss has a breakdown of the best shots fired in the fight over the Oxford Comma.
Victoria Chang on the Humor and Oddity in Obituaries
Victoria Chang discusses the art of the obituary poem, as seen in her newest collection, Obit, a memorial to the dead and a reflection on grief.
●
●
●