“Rather than presenting a single, definitive story—an ostensibly objective chronicle of events—these books offer a past of competing perspectives, of multiple voices. They are not so much historical as archival: instead of giving us the imagined experience of an event, they offer the ambiguous traces that such events leave behind.” On the role of realist historical fictions.
Last week Konstantin Kakaes — whose new book The Pioneer Detectives is our latest Millions Original — led a discussion on "how scientists search for truth and how that search isn't always straight-forward." You can catch a broadcast of that discussion tonight on BookTV at 7:30 PM.
Wouldn't it be nice if your brain just went ahead and created that pesky simile for you? For individuals suffering with synesthesia (a neurological disorder in which one sense is "cross-wired" with another, such as seeing the color red or hearing a sour taste) the brain does just that. Here's a piece from Electric Literature that takes a look at synesthesia, substances, and seeing the world askew.
Northern England has its own distinct genre of crime fiction, yet it’s never taken off abroad the way its counterparts in Scandinavia and Scotland have. In The Guardian, AK Nawaz wonders why this is, arguing that “there is an argument for a common and marketable 'Northernness' - if not an identity, then perhaps a literary state of mind.”