Cheese!

May 28, 2016

Should we understand a photographic document as being first and foremost an artifact of memory, a light-written ghost? Or is it more important to stress its status as a material thing created from pigment, silver, emulsion, paper, plastic, glass, silicon sensors, pulses of electricity? Or is the photograph primarily an opportunity to take or make, an arena for a special type of action?” On Polaroids, instantaneous photography, and memory over at The Nation.

is an intern for The Millions. He reads and resides in North Carolina. Brian can be found on Twitter @jbetling, and in the real world behind the counter of Scuppernong Books in Greensboro, NC.

Add Your Comment:

Your email address will not be published. Required fields are marked *