“Should we understand a photographic document as being first and foremost an artifact of memory, a light-written ghost? Or is it more important to stress its status as a material thing created from pigment, silver, emulsion, paper, plastic, glass, silicon sensors, pulses of electricity? Or is the photograph primarily an opportunity to take or make, an arena for a special type of action?” On Polaroids, instantaneous photography, and memory over at The Nation.
When Belarusian investigative journalist Svetlana Alexievich won the Nobel Prize earlier this year, her horrifying and poetic book Voices From Chernobyl exposed a great many readers to the Chernobyl disaster. Now, this piece from The Atlantic takes a look at Chernobyl's literary legacy over the past three decades.
B|ta'arof Magazine recently launched its inaugural issue. The publication arrives “in response to the absence of a printed space, in English, for social comment, reflection and shared experience among the Iranian community.” You can preview the first issue and read their calls for submissions on their website, and I also encourage you to read up on the magazine’s Persian namesake.
Jessica Francis Kane’s mother worked for Playboy back in the 1960s, a time “when it was an intellectual magazine as well as a pinup, when people really did subscribe to it for the articles.” Over at The Morning News, Kane shares a fascinating interview with her mother, and they talk about what it was “like to be a woman … in such a sexy workplace at such a weird time.”
Out this week: The Betrayers by David Bezmozgis; A Slip of the Keyboard: Collected Nonfiction by Terry Pratchett; Ballroom by Alice Simpson; Hello Mr. Bones & Goodbye Mr. Rat by Patrick McCabe; Rooms by Lauren Oliver; and How to Build a Girl by Caitlin Moran, who released an essay collection two years ago. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.