“A lot of writers are big readers. Very often, when you’re writing your day’s work, something you write will remind you of something that you read. And the thing that you read shines a kind of light on the sentences that you’re writing. So I think it would be very hard to write without having read a great deal.” Listen to Salman Rushdie chat with Paul Holdengraber about poetry, film, and his latest project. Liam Hoare writes on the implications of Rushdie’s fatwa.
Chatting with Rushdie
The Fifth Borough
Enlightenment comes in many guises, and though we usually think of it as arriving in a koi pond or a distant mountaintop, we can also find it, as the protagonist of Year in Reading alum Tom McCarthy’s new novel attempts to do, on Staten Island. In The New Republic, David Marcus reads the book.
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Me and Myself
What is the personal essay, and where could it go from here? In The Boston Review, Merve Emre traces two paths.
Tuesday New Release Day: Hustvedt; Poissant; Livers; Dermont; Kirn; Butler; Kerouac
Out this week: The Blazing World by Siri Hustvedt; The Heaven of Animals by David James Poissant; Cementville by Paulette Livers; Damage Control by Amber Dermont; Blood Will Out by Up in the Air author Walter Kirn; Shotgun Lovesongs by Nickolas Butler; and The Haunted Life, a new collection of early writing by Jack Kerouac.
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“So I think it would be very hard to write without having read a great deal.”
And yet the canals and rivers and sewers and creeks and gutters and plumbing are clogged with content created by people who tried to get away with exactly that.