Recommended Reading: For Public Books, Year in in Reading alumna Katrina Dodson writes on José Eduardo Agualusa’s novel A General Theory of Oblivion.
Burning Books in Angola
Dictionary of Regional @English
I snum! This is a bunch of bullcorn. You chowderheads best move your gogos and follow the Dictionary of American Regional English on Twitter.
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Whaleship Essex to Become BBC Documentary
The true story of the Whaleship Essex – which was deftly recounted in Nathaniel Philbrick’s 2000 book In the Heart of the Sea – will soon be adapted into a 90-minute documentary for the BBC. As avid whale watchers already know, the plight of the Essex is what ultimately inspired Herman Melville to write Moby-Dick. You can get an overview of the disaster at Melville House’s blog, Moby Lives. (How appropriate!)
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While a Fox Was Brown
This interactive guide to the demise (or, rather, the rise) of the passive voice by Vijith Assar at McSweeney’s is every bit as fascinating as it is troubling. This notable piece from The Millions by Fiona Maazel should act as a nice grammatical complement.
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Are You Experienced?
Who’s the Jimi Hendrix of Wordstock? Though it is unlikely to become a lasting cultural landmark the caliber of Woodstock, the recent Wordstock festival in Portland was nonetheless a runaway success for its 6,000 attendees. This piece on the London Book Fair has a decidedly different tone.
Lit Pics, Part Deux
On Monday, March 11th, Electric Literature and Lazy Fascist Press celebrated the release of Sam Pink’s novel Rontel. (If you need a refresher, I wrote about Rontel a few weeks ago.)
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The Count
“And who could disagree? Joyce Carol Oates expressed her view on Twitter: ‘Wikipedia bias an accurate reflection of universal bias. All (male) writers are writers; a (woman) writer is a woman writer.'” Wikipedia has got a women writers problem.
Family Album
A look back at the author photos that have filled the pages of Poetry magazine.
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A Confession
Cat Marnell and Alana Massey both have new books out, and they are, in their own ways, variants on the genre of “confessional” writing. In an essay for Slate, Katy Waldman unpacks their essential appeal and their arguments, describing how each goes about the task of reinventing the concept of the memoir. You could also read our interview with Massey.
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