“When gender’s not there, it sort of leaves room for us to focus on these other differences—and most of them end up being insignificant, too.” An interview with Emma Ramadan, translator of Anne Garréta’s Sphinx, on writing, translating, and understanding genderless characters.
“An artist you love occupies a weird in-between place, where they’re somehow a little more than a father, but a little less than a neighbour. They can permanently re-organize your consciousness but they can’t sell you a Coke. You feel you know them more than anyone you actually know, which means that you don’t really know a damn thing. I feel I know Elliott Smith, but if I picture him in front of me, I find myself picturing a tiny figurine, or Mount Rushmore.” Sasha Chapin has written an intensely personal essay about Elliott Smith for Hazlitt. Here is The Millions’ own Torch Ballads & Jukebox Music column to satisfy any lingering musical urges.
New this week: The Faraway Nearby by Rebecca Solnit, The Silver Star by Jeannette Walls, Crazy Rich Asians by Kevin Kwan, The Engagements by J. Courtney Sullivan, The Execution of Noa P. Singleton by Elizabeth Silver, Bobcat by Rebecca Lee, and a retelling of One Thousand and One Nights by Hanan al-Shaykh, with a foreword by Mary Gaitskill.