“When gender’s not there, it sort of leaves room for us to focus on these other differences—and most of them end up being insignificant, too.” An interview with Emma Ramadan, translator of Anne Garréta’s Sphinx, on writing, translating, and understanding genderless characters.
The 92nd Street Y is gearing up for next Monday’s Celebration of Vladimir Nabokov, which falls on the eve of the publication of his last, unfinished novel, The Original of Laura. A recording of Nabokov’s only reading at the 92nd Street Y was just posted at the 92Y Blog, and includes selections from Pale Fire and Lolita. Monday’s event will feature Martin Amis and Chip Kidd, and a display of a dozen of Nabokov’s 138 handwritten notecards, on which he composed the manuscript.
“I’ve been hailed as a hero (hipster poets love me), gotten the rock star reception (by research librarians), and been dismissed with derision, thought possibly to be deranged,” says Jon Danzinger. So what’s his job, you might ask? He’s a researcher for the Oxford English Dictionary.
An exhibition of the authorportraits of Swedish artist Carl Köhler, whose extraordinary portraits of artists and intellectuals we’ve displayed here at The Millions, opens in Toronto on January 11th at the Robarts Library of the University of Toronto, 130 St. George St. For more information call 416-971-3131.
In 1908, Leo Tolstoy sent “A Letter to a Hindu” to Tarak Nath Das, a leader of the Indian freedom movement. In it, Tolstoy made the case for nonviolent resistance as the only way for India to gain independence from Britain. You can read the letter, along with Mohandas Gandhi’s introduction, over here.
One Siberian city is offering free subway rides to passengers who can recite “at least two verses from any poem by Alexander Pushkin.” The obvious corollary would be NJ Transit providing free service to passengers capable of singing “Born to Run” in its entirety.
Recommended Reading: The New York Times’s feature on Dana Spiotta. “When Dana Spiotta was working on her fourth novel, Innocents and Others, she sat beneath a huge bulletin board pinned with her sticky notes and research materials: lists of relevant words (passion, transformation, intimacy) and ‘seeing’ devices (zoetrope, stereoscope, camera obscura), and photographs of Orson Welles, Jean-Luc Godard and the Maysles brothers. ‘It’s like walking into the book,’ Spiotta told me. ‘You feel it all around you.’” To prepare for her upcoming release, revisit our review of Stone Arabia.