“When gender’s not there, it sort of leaves room for us to focus on these other differences—and most of them end up being insignificant, too.” An interview with Emma Ramadan, translator of Anne Garréta’s Sphinx, on writing, translating, and understanding genderless characters.
A couple years ago, Robert Birnbaum interviewed Edith Pearlman for The Millions, asking why the highly regarded short story writer didn’t hit it big until recently. Now, in the Times, Laura van den Berg reads Pearlman’s book Honeydew, in a piece that nicely complements Steve Almond’s profile of the author. FYI, Laura van den Berg has written for us.
It’s time to recognize tarot’s place in literature. Peter Bebergal writes on Jessa Crispin’s latest project, The Creative Tarot: A Modern Guide to an Inspired Life.
Year in Reading alum Laura van den Berg has a new book out this week, as does Amy Tan. Also out: Jeeves and the Wedding Bells by Sebastian Faulks; Bellman & Black by Diane Setterfield; and a memoir by YiR alum Rob Delaney. For more on these and other new titles, check out our Great Second-Half 2013 Book Preview.
At the LARB, Millions contributor Nathan Deuel reviews Silence Once Begun by Jesse Ball, which we covered as part of our Great 2014 Book Preview. Nathan calls the novel “daring and odd” and notes that, as the plot advances, “even we readers become slightly shaky witnesses.” You can learn more about Jesse Ball’s work in our own Janet Potter’s review of his novel The Curfew.