Ursula K. Le Guin has died at the age of 88, according to the New York Times and Le Guin’s family. The prolific science fiction and fantasy writer — best known for her Earthsea series and The Left Hand of Darkness — explored themes like politics, gender, religion, and environmentalism. However, Le Guin wrote across genre and published over 20 novels, 100 short stories, 7 essay collections, 13 children’s books, 5 volumes of translation, and a writer’s guide. No stranger to awards, Le Guin most recently won the 2017 Hugo Award for Best Related Work for Words Are My Matter: Writings About Life and Books, 2000-2016. From our archives: The Millions interview with Le Guin from 2013.
“In order to overcome their creative challenges, the authors I interviewed didn’t need to write prettier sentences: They needed to become more disciplined, more generous, braver. Literature seems to require these qualities of us, somehow, both in writing and in reading.” Joe Fassler‘s “By Heart” series at The Atlantic provides us with another year’s worth of writing wisdom, including advice from Alexander Chee, Michael Chabon, Lydia Millet, et al. We also highly recommend the conversation between Chee, Emily Barton, and Whitney Terrell about the decade each of them took to see their novels realized in the world.
Betty Wants In and the Melbourne Skydive Centre have been churning out some simply amazing footage of sky divers, parachutists, and base jumpers. Check out their latest installment, Experience Freedom, and be blown away. (Previously: Experience Human Flight, Experience Zero Gravity.)
“I move in a desultory society and often a week or two will roll by without my going to anybody’s house to dinner or anyone’s coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
Recommended Reading/Listening: Maia Evrona’s translation and recitation of a poem by Abraham Sutzkever, who has been called one of the primary poets of the Holocaust. Gabriel Brownstein’s essay for The Millions on what it means to be a “Jewish writer” is a good complementary piece.