Kaveh Akbar interviews poet Wendy Xu about oppressive syntax, imaginary realms, and poems as ecosystems. As she puts it, “Poetry validates the emotional realness of the imaginary.” Pair with Andrew Kay’s Millions essay on the power of poetry.
A Beautiful Alternate World
A Fatal Continuity
“I don’t know what wave feminism we are in now. Fourth? Fifth? But Ms. Attenberg, it depresses me to no end that the gritty, credible, less kissed-by-God heroine of your book, Andrea Bern, a single, childless, 39-year-old straight woman, a character created almost 50 years after Mary Richards, is still realistically struggling with and defying convention because she isn’t married.” On Jami Attenberg’s new novel.
Would a softer sort of blackmail be called graymail?
Over at Melville House, editor Ellie Robbins has discovered an App that might help you finish your novel: it involves your Facebook friends, one compromising picture, and some, um, lighthearted blackmail.
Good News, Grammarians!
Alison Baverstock takes a wide eye look at ten ways self-publishing has changed the book world. One item of note? “The copy editor, a traditionally marginalised figure, is now in strong demand.”
In Which F. Scott Fitzgerald Gets Compared to The Beach Boys’ Brian Wilson
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald’s oft-neglected commercial short fiction. Fitzgerald, after all, “produced 160 short stories [in his life],” writes Curnutt, “earning a total of $241,453 off the genre — more than $3 million in today’s dollars.” Yet the author didn’t think highly of the work, and even referred to himself as an “old whore” because he wouldn’t quit.
“History is filled with irony”
Casey N. Cep ponders oppositional forces at work on two statues harkening back to the days of Maryland’s slaveholders. “More than tragedy or romance, history is filled with irony,” she notes.