Recommended Reading: Sadie Stein on a teen reading Sartre.
There’s a tiff going on between Ursula le Guin and Kazuo Ishiguro. After le Guin accused Ishiguro of “despising” the fantasy genre, following an interview with the Times in which he wondered aloud if his readers would be prejudiced against his latest book, Ishiguro defended himself, claiming that he is “firmly on the side of the ogres and the pixies.” You can read a full rundown in The Guardian.
Accusations of plagiarism – the real kind, which is not to be confused with “self-plagiarism” – just keep following Turkish writer Elif Şafak, don’t they? Lydia Kiesling previously reported on the fiasco around her book Iskender last August, but now more allegations are surrounding the cover art on Şafak’s latest novel, Şemspare.
How do women write about the apocalypse? Sloane Crosley considers, referencing work from Mary Shelley, P.D. James, Laura van den Berg and our own Emily St. John Mandel. Pair with these Millions interviews with van den Berg and Mandel. Unfortunately, Mary Shelley was unavailable for comment.
“Dear Mrs D, Thanks for your homework. Your idea of writing a Christmas ghost story was a good one, but it’s not really the kind of thing I tend to do — it’s a little bit too genre for my tastes. Try Kevin, who sits next to me. He loves that stuff.” Over at McSweeney’s, Nick Hornby advises his son on excuses for failing to hand in his English homework, excuses which Hornby learned are acceptable during a thirty-year career in journalism, books, and film.
“Avoid using the term generically and without definition, however, because it is not well known and the term may exist primarily as a public-relations device to make its supporters’ actual beliefs less clear and more acceptable to a broader audience. In the past we have called such beliefs racist, neo-Nazi or white supremacist.” The Associated Press addresses the term “alt-right.”
“How can you write a complete story without a conventional plot? We often hear that in short stories, the main character must change. But in some stories, including some by Grace Paley, the characters don’t change. Instead, her stories change the reader. You’re different by the time you reach the end.” We’ve told you about The Atlantic’s “By Heart” series plenty of times before. This week, it’s Alice Mattison, who touches on everything from character development to the strange stories of Grace Paley.