Over at World Literature Today, Diane Clarke writes against neutrality, capital letters, and easy translation. “I want a poetics of translation that is not just anti-assimilationist.” Pair with this Millions essay about translators at work.
Against Neutrality
Daemon Days
You may have heard (via this site or elsewhere) that Harold Bloom has a new book out. In the Times Sunday Book Review, Cynthia Ozick gives her take, identifying the critic’s use of the phrase “without precedent” as key to understanding his theory. You could also read Matt Hanson on Bloom’s classic The Anatomy of Influence.
Getting Graphic
Hyperallergic has excerpts from Rokudenashiko’s graphic memoir What Is Obscenity? The Story of a Good For Nothing Artist and Her Pussy, which Michael Melgaard recently reviewed at The Millions.
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US of Grey
“New York: Ana and Christian explore bondage in the back of a New York City taxi cab. The driver confuses Ana’s safe word for their destination and mistakenly drops them off at the ‘Guggenheim.'” At The Morning News, Sean Tabb imagines how Fifty Shades of Grey could be adapted for every state.
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Sex and the City Prequel
For those who just can’t get enough of Carrie Bradshaw, Candace Bushnell‘s latest: The Carrie Diaries. And some coverage of the book at USA Today.
On Literary Blogging
Book Snobbishness: “Using your personal taste or literary standards to dictate to other people what they should spend their time or money on. It’s not just about looking down on someone for reading romance or science fiction (though that’s part of it, of course), but also about shaming readers for where they spend money or the format in which they read.” Amanda Nelson, managing editor of Book Riot, sits down with 0s&1s to talk about gender, books and blogging. To get your fill of literary blogging, check out our list of must-read literary Tumblrs.
All Jokes Aside
Over at Vulture, Jesse David Fox offers a retrospective of 100 years of jokes that shaped modern comedy.
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The Vulture Circles
New York magazine’s Vulture Reading Room series, featuring Sam Anderson and others, dares to take on Dan Brown’s The Lost Symbol. The verdict? Brown’s stylistic overreach is still good comic fodder for discerning readers.