Have novels about love lost their gravitas as women’s liberation and divorce culture have taken over? Adelle Waldman doesn’t think so. In The New Yorker, she defends the timelessness of the marriage plot. “As long as marriage and love and relationships have high stakes for us emotionally, they have the potential to offer rich subject material for novelists, no matter how flimsy or comparatively uninteresting contemporary relationships seem on their surface.” Pair with: Our Jeffrey Eugenides essay on writing The Marriage Plot, which is referenced several times in Waldman’s essay.
At Variety‘s blog, news that Steven Speilberg has signed on to his next project: A remake of Harvey, the Pulitzer-winning 1944 play and beloved 1950 Jimmy Stewart movie about a man, Elwood P. Dowd, and his friendship with an invisible giant rabbit.