Recommended Reading: This primer on how to explain without mansplaining.
In memory of Peter Matthiessen, The Missouri Review has unlocked an interview with him from 1989. Matthiessen detailed the beginning of his writing career. “I started my first novel and sent off about four chapters and waited by the post office for praise to roll in, calls from Hollywood, everything. Finally my agent sent me a letter that said ‘Dear Peter, James Fenimore Cooper wrote this a hundred and fifty years ago, only he wrote it better. Yours, Bernice.’ I probably needed that; it was very healthy.” For more Matthiessen, you can read one of his best travel essays or his new novel, In Paradise.
I have an essay in the September issue of Poets & Writers on “The Social Value of MFA Programs.” Sadly, P&W deems the piece too valuable to give away for free on the Web, so if you want to read it, you’ll have to go to your local newsstand and buy a copy.
“The first section of the book inevitably ends up taking on a Rashomon-ic quality, as Sotatsu’s father, mother, brother and sister all get their say about what transpired during his time in prison, along with a prison guard who observed him. But [Jesse] Ball doesn’t let them fall into the he said-she said realm of one-note characters — these are fully fleshed-out people, whose thoughts, emotions and agendas are as real (and sometimes as contradictory) as your own.” On Silence Once Begun.