“Home is the place where there is someone who does not wish you any pain.” Stop what you’re doing and go read this interview with Darryl Pinckney, author of Black Deutschland, over at The Rumpus. Here’s a great Millions essay on Christopher Isherwood’s Berlin Stories, which serves as a sort of (misguided) guide map for the protagonist of Black Deutschland.
Out this week: New Boy by Tracy Chevalier; Kintu by Jennifer Nansubuga Makumbi; The Awkward Age by Francesca Segal; The Australian by Emma Smith-Stevens; Evensong by Kate Southwood; Behind the Moon by Madison Smartt Bell; and Bad Dreams and Other Stories by Tessa Hadley. For more on these and other new titles, go read our most recent book preview.
The New Yorker has launched an online-only series dedicated to the novella, featuring longer works of fiction the magazine isn’t able to fit into print. “The novella is not, usually, an expanded story. Rather, it is a contracted novel, in which the omissions cover much ground. It is more ambitious than a story, denser and more gemlike than a novel.” Callan Wink’s In Hindsight launches the series, with an interview with the author.
In theory, the author of a great novel is invisible to the reader, letting her stories and characters speak for themselves. In practice, however, it can help for an author to make herself known, as explained by Tim Parks in this essay. Sample quote: “We have the impression that if someone ever did find the full story of his life, we would immediately recognize the person we had in mind.”
“The rest of her speech to the U.N. that day is an exact outline for what she wanted the rest of the Parable books to be about — a way out that she did not live to write herself.” For Electric Literature, Kristopher Jansma explores the unwritten Parable books of acclaimed sci-fi author Octavia Butler. Pair with our consideration of Butler’s novel Kindred.