This week in news that’s almost impossible to believe: after an intense bidding war, the rights to David Grann’s upcoming book Killers of the Flower Moon were bought by Imperative Entertainment for a whopping five million dollars. All this for a nonfiction book that isn’t due out for well over a year. Killers of the Flower Moon tells the story of the investigation into the mysterious deaths of several Osage Indians in the 1920s, who were at the time some of the wealthiest people in the world. The case was one of the first ever worked by the FBI.
As a cultural center with a very different makeup than the various home bases of the publishing world, Los Angeles often gets short shrift in discussions of literary cities. At the LARB (naturally), Sarah-Jane Stratford writes about the city’s importance to speculative literature, with an emphasis on the works of Ray Bradbury. Related: Tanjil Rashid on Bradbury’s Middle East connection.
Those of you with more than a passing familiarity with the Brothers Grimm will know that classic fairy tales were often dark and macabre. They’re considerably more frightening than the sanitized versions we read to our children today. At Salon, Maria Tatar talks to Laura Miller about her translation of The Turnip Princess, a new collection of previously undiscovered fairy tales. Sample quote: “There isn’t that strict division of gendered labor that you find in the Grimms.” You could also read Kirsty Logan on the trouble with fairy tales.
You may have heard that J.K. Rowling published a crime novel last year under the pen name Robert Galbraith. According to her alter ego’s website, Rowling will publish another novel as Galbraith, one featuring (again) the private investigator Cormoran Strike. (If you missed it, you should definitely read Elizabeth Minkel’s recent piece on Ron/Hermione and authorial regrets.)
The Chicago Tribune is rolling out a new premium books section for $99 a year. The Printers Row offering (named for a Chicago neighborhood) “will feature 24 pages of book reviews, author interviews and Chicago-focused literary news, along with a weekly bonus book of short fiction.” You can either feel validated (special HBO-style “premium” section for readers!) or marginalized (so few people care about this that you have to pay extra if you want it.)
“[E]ven though he was already sick with the illness that would eventually become the tuberculosis that killed him, Orwell left London to live on the Scottish island of Jura (off and on) for the next few years, where he could try to focus on writing fiction instead of journalism.” Nathan Gelgud creates a wonderful illustrated origin story of 1984 for Signature Reads. Pair with this piece on the fall (literally) of the ur-Orwellian home.