Nabokov fans, brace yourselves! Nabokov scholar Michael Maar accuses the author of stealing the premise of Lolita from another writer. Pair with this Millions essay about designing the cover of the book.
Who Wrote It First
Trump, a Fable
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Scientists on Science Fiction
In New Scientist, several prominent scientists and literary types “nominate their lost sci-fi classics,” from Richard Dawkins on Dark Universe to William Gibson on Random Acts of Senseless Violence.
Plagiarizing James Bond
Little, Brown & Company has pulled a mystery novel from the shelves after passages in the book were found to have been plagiarized from “a variety of classic and contemporary spy novels,” like James Bond novels and books by Robert Ludlum and Charles McCarry.
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Hearing the Voices
“Macbeth has a twist that sets it apart from every other Shakespearean tragedy: Macbeth murders his voice. Mad with fear that Banquo’s heirs will seize the throne, Macbeth has Banquo killed. After that, our antihero is on his own. There is no one left to verify what is real and what is not … When Macbeth’s voice dies, everything else disappears, too. Macbeth is alone.” This excerpt from Jillian Keenan’s Sex With Shakespeare touches on everything from sexuality in Singapore to The O.C. fan-fiction.
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Tom Stoppard on life, work, and fly-fishing
Tom Stoppard, recently tasked with writing the screenplays for the new Anna Karenina (six minutes of which can be watched here) and Parade’s End film and television adaptations, speaks at length with Victoria Glendinning about his life and work. At 75 years old, the playwright is hardly slowing down.
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Express Literature
In São Paulo, books also serve as subway cards — i.e., the future of literature.
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The Experience of Being Human
Recommended Reading: Over at BOMB Magazine, Jesse Ball and Catherine Lacey discuss strategies for a non-interview, why they write, and poetry’s “direct utility toward experience.”
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The Secret Space of Diaries
For the New Yorker, Morgan Jerkins reviews Helen Oyeyemi’s What Is Not Yours Is Not Yours and considers what keeping a diary means for “a black woman in a white world.”
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I had the impression from the exchange that Maar thought of Nabokov’s Lolita as more influenced by or derived from Lichberg’s than a plagiarism of it.
Unless someone can show us the sentences, in VN’s Lolita, that are (or nearly) word-for-word copies of sentences to be found in a text known to have preceded VN’s book, using the word “plagiarism”, here, is libellous and… idiotic. Anyway, Maar makes it clear that his interest in all this centers on the distinct (but literarily inconsequential) possibility of a secret connection between VN’s Lolita and a German writer’s book…. he’s trying to hunt down another one of VN’s pranks. Did whoever linked this actually read the article…?
From the article:
Question: “So let’s get this out of the way first—is this about plagiarism?”
Answer: “Of course not. The word came up in the press when I published my first article about the discovery, but that’s not what this is about at all.”
And so it persists in the press. Maybe I should just be skipping straight to the Parid Review?
The stealth edit from “plagiarism” to “stealing the premise” is hilarious. This slender distinction, adopted presumably out of self-delusion, is also incorrect.