George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
How does editing a book about women’s wardrobes change a person’s view on fashion? “For me, now, after doing this book, when I walk down the street, I notice and appreciate a greater range of women. And I also sort of feel more comfortable with myself and with my own choices, my own individuality, rather than feeling that I’m missing the mark,” Sheila Heti told Rookie about her current book Women In Clothes (read our review). She also discussed her writing influences, How Should a Person Be?, and her next project.
Out this week: Nutshell by Ian McEwan; Jerusalem by Alan Moore; Commonwealth by Ann Patchett; Black Wave by Michelle Tea; Umami by Laia Jufresa; Loner by Teddy Wayne; Little Nothing by Marisa Silver; Every Kind of Wanting by Gina Frangello; Avid Reader: A Life by Robert Gottlieb; This Vast Southern Empire by Matthew Karp; When in French by Lauren Collins; and Intimations by Alexandra Kleeman. For more on these and other new titles, go read our Great Second-Half 2016 Book Preview.
The semiotics-department backdrop to Jeffrey Eugenides’s new novel, The Marriage Plot, seems to have sparked a new mode of confessional writing. But Theorists are so seductive because they are, themselves, essentially literary.
Out this week: Exit West by Mohsin Hamid; South and West: From a Notebook by Joan Didion; All Grown Up by Jami Attenberg; Ill Will by Dan Chaon; The Accusation by Bandi; The Night Ocean by Paul La Farge; and American Berserk by our own Bill Morris. For more on these and other new titles, go read our most recent book preview.