George Saunders shares his thoughts on writing his first full-length novel, the forthcoming Lincoln in the Bardo. As he puts it, “It’s like when you’re writing your first book, and you’re trying to figure out what kind of writer you are. This was like that.” Pair with our own Elizabeth Minkel’s piece on Saunders and the question of literary greatness.
I've gotten a little behind in my reviews of books I've read recently. Maybe I'll get to it this weekend or early next week. In the meantime here are three literary links that caught my eye today:The many challenges of turning books with non-textual elements into audiobooks. Also discussed: how to verbally render David Foster Wallace's copious footnotes. (New York Times).Daedalus, the big remainder house, is opening a standalone bookstore in Baltimore (Baltimore Sun). Previously: I discuss remaindered books - and buy some, too!A mysterious person - or possibly persons - has been placing roses and a bottle of cognac on Edgar Allen Poe's grave each year for 57 years on the anniversary of the writer's birthday. This year some nosy people got in the way, but the meaning behind the ritual and the identity of the visitor remains hidden. (Guardian)
At 74, Clive James is a remarkably prolific poet, one who’s working hard to finish or publish three books in the next year alone. He spoke with Douglas Murray of The Spectator about his unflagging energy. “At the moment, I am in the slightly embarrassing position where I write poems saying I am about to die and I don’t,” he says. You could also read our own Garth Risk Hallberg on James’s book Cultural Amnesia.
Stephen King's next book is a thriller set in a Midwestern town suffering from unemployment. Before this sounds a little too close to home, the synopsis reveals it's about a retired cop trying to stop a mass murderer. Mr. Mercedes will be out June 3rd. Pair with: Our own Lydia Kiesling's essay on her love of King novels.