Harper Lee may have died earlier this year, but the drama surrounding her final years rages on. Last week, a stage adaptation of Lee’s To Kill A Mockingbird was performed in her hometown of Monroeville, Alabama, as it has for many years. This time, however, things got a bit contentious. Here’s a dispatch from Monroeville by Robert Rea for The Millions.
To Kill a Reputation
Tuesday New Release Day: Sheck; Yoshimoto; Manning; Axat; Norton
New this week: Island of the Mad by Laurie Sheck; Moshi-Moshi by Banana Yoshimoto; One Man’s Dark by Maurice Manning; Kill the Next One by Federico Axat; and Loveland by Graham Norton. For more on these and other new titles, go read our latest fiction and nonfiction book previews.
And the Pulitzer, What’s Up with That?
At Slate, Katy Waldman asks a simple question: what the heck is the point of the National Book Awards, anyway?
Tuesday New Release Day: Pamuk, Zambreno, Wickersham, Vonnegut, Achebe, Egan
New this week is Nobel Laureate Orhan Pamuk’s Silent House. Also hitting bookshelves are Heroines by Kate Zambreno, The News from Spain by Joan Wickersham, and more posthumously published work by Kurt Vonnegut. In non-fiction, there’s There Was A Country: A Personal History of Biafra by Chinua Achebe and Short Nights of the Shadow Catcher, National Book Award and Pulitzer Prize-winner Timothy Egan’s biography of Edward Curtis.
The Recuyell Sells
The Recuyell of the Histories of Troye, the first book published in English, recently sold at auction for almost 2 million dollars.
From Pen to Publishing House
A droll diagram mapping the tumultuous birth of a book.
Short Stories for the 305
WLRN-Miami Herald News is soliciting writers of flash fiction, extremely short nonfiction, or prosaic poetry for “VERY brief” stories: “As in 305 words or less — ‘3-0-5’ being at one time the area code for entire state of Florida.”
Queens of the Short Story
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.