Harper Lee may have died earlier this year, but the drama surrounding her final years rages on. Last week, a stage adaptation of Lee’s To Kill A Mockingbird was performed in her hometown of Monroeville, Alabama, as it has for many years. This time, however, things got a bit contentious. Here’s a dispatch from Monroeville by Robert Rea for The Millions.
To Kill a Reputation
Cultural Capital
“Too often, being on the left tasks you with a vigilant daily quest to avoid being tagged with snobbery. In sociological living, we place value on those works or groups that seem most likely to force a reevaluation of an exclusive or oppressive order, or an order felt to be oppressive simply because exclusive. And yet despite this perpetual reevaluation of all values, the underlying social order seems unchanged; the sense of it all being a game not only persists, but hardens.” From n + 1, the latest “Intellectual Situation”: “Too Much Sociology.”
Sick and Wrong
Recommended Reading: Dan Kois on his favorite books of the year. On Alissa Nutting’s Tampa, he writes: “Tampa mixes deadpan social satire, lurid true-crime storytelling, and out-and-out porn into a poisonous stew.”
In love with the entire family
We’re a little late to The Guardian‘s Families in Literature series, which includes essays on everyone from the March sisters to the Moomins and has been running for the last few weeks. A particular favorite is Moira Redmond‘s look at Brideshead Revisited‘s Flytes and the strange but true power of falling in love with an entire family, which pairs well with our own Lydia Kiesling‘s Modern Library Revue of the novel.
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Merry Plashing Sounds
“What a nice fire,” he said to himself. It certainly was. Kept him very warm, too.” That inspired bit of writing was Jack London’s short story To Build A Fire as summarized by someone who hasn’t read the book. Don’t worry, there are plenty more where that came from.
Pedagogy of the Oppressed
Recommended Reading: Poet David Biespiel writes for The Rumpus about his early education as a poet and discovering that language can never be neutral.