“I have this belief that you have to save at least half of your crucial experiences. The ones that are crystalline. The ones that you always can recall. And you recall that every detail—what actors call a sense impression. You remember how things smelled, what they felt like, how you felt at the moment. You remember every single last part of this episode, or moment in your life.” This interview with Norman Mailer from The Paris Review never actually made it to print, which makes it all the more fascinating.
They’re Not Rocks
The Trouble With Memoirs
“If you didn’t feel you were discovering something as you wrote your memoir, don’t publish it. Instead hit the delete key, and then go congratulate yourself for having lived a perfectly good, undistinguished life. There’s no shame in that.” Neil Genzlinger at the New York Times lays some ground rules for those compelled to write memoirs.
A Curious Ambivalence
Colin Dickey for Hazlitt has written a fascinating essay exploring the myth and superstition behind the ritual veiling of mirrors while in mourning. Did our own Sonya Chung cover her mirror while she mourned the passing of Mad Men?
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Illness as Metaphor
Melissa Broder shares her thoughts on open marriage and illness in an excerpt from her So Sad Today. Pair with Gila Lyons’s Millions essay on writing through illness.
I Need to Return Some Redbox DVDs
Patrick Bateman as internet troll? I could see it. Bret Easton Ellis, author of American Psycho, stopped by Town and Country to muse over how an early-twentieth century Patrick Bateman might behave a bit differently: “I check in with Patrick every now and then—as with this article you’re reading—but he has been living his own life for some time now, and I rarely feel as if I have guardianship over him, or any right to tell him where he would or would not be today, decades after his birth.”
Cubans, Minimalists, and Surrealists, Oh My!
A three-course feast for your eyes, dear readers: vintage Cuban movie posters courtesy of Will Schofield; minimalist book covers courtesy of Julie Oreskovich and AbeBooks; and little-known sheet music illustrations courtesy of the great René Magritte.
Chang-rae Lee on Writing and Re-writing the Immigrant Novel
Chang-rae Lee discusses his picaresque novel, My Year Abroad, and how he finds himself drawn to characters that are outside of the mainstream.
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That Time of Year
England, as you know if you’ve ever read A Christmas Carol, has a long tradition of telling ghost stories around Christmas. What else could you read besides the Dickens classic to partake? At The Paris Review Daily, Colin Fleming lists a number of candidates, including Smee by A.M. Burrage and The Kit-Bag by Algernon Blackwood. You could also check out our reading list for December.