Was Miami made for the mystery novel? The most iconic mysteries and detective novels are anchored firmly in their sense of place, and no place is more hospitable to commodifiable crime and violence than sunny South Beach. If it’s more Florida weirdness you’re after, look no further than our own Nick Moran.
“Starr-Starr, you do whatever they tell you to do,” he said. “Keep your hands visible. Don’t make any sudden moves. Only speak when they speak to you.” Read an excerpt from the Black Lives Matter–inspired YA novel The Hate U Give by A. C. Thomas, scheduled for release next June. See also some of our favorite writers on their favorite political writing, or our review of Nate Marshall’s poetry collection, Wild Hundreds, which critic Emmanuel N. Adolf Alzuphar called “the foremost articulation of contemporary blackness’s dynamism in literature.”
Isotropic Films has begun filming a “fresh, modern horror [film] version” of Franz Kafka’s The Metamorphosis. At The New York Review of Books, Mark Harman offers a new translation of the late author’s “A Message From the Emperor,” which Harman calls “hauntingly oblique.” Further away still, Elif Batuman recognizes some Kafkaesque street signage in Turkey.
It’s easy to find essays targeted at writers that argue that rejection isn’t really that bad. In her new book, How to Not Write, Lisa Carver takes the argument a step further, as she says that not only does rejection not hurt you, it “frees you” and “facilitates action.” At The Rumpus, an excerpt from the book.