Was Miami made for the mystery novel? The most iconic mysteries and detective novels are anchored firmly in their sense of place, and no place is more hospitable to commodifiable crime and violence than sunny South Beach. If it’s more Florida weirdness you’re after, look no further than our own Nick Moran.
If we were to buy ourselves a gift this year, it would be Penguin’s “One Hundred Book Covers in One Box” postcard set.
“In Proust, the rhythm, the phrasing, the movement of the sentence, even the grammar—it’s all so complex that it would be almost impossible to repeat anyone else’s work. Because of that I’m all the more aware of the differences, and of how admirable Scott Moncrieff’s work often is.” George Plimpton interviews Richard Howard about translating Remembrance of Things Past, for the Summer 1989 issue of The Paris Review. The interview was reissued to mark Richard Howard’s birthday, who turns eighty-six today.
Year in Reading alumna Ottessa Moshfegh has a new story in this week’s issue of the New Yorker, titled “The Beach Boy.” Moshfegh also spoke with Deborah Treisman about her writing: “Isn’t it hilarious when people are blind to their own arrogance? For some, no amount of American liberal-arts education, charitable contributions, or hours spent listening to NPR will ever wake them up to their own privileged, bigoted, and classist attitudes. […] One might say that New Yorkers like the folks in ‘The Beach Boy’ are especially susceptible to the kind of stupidity I love to write about—the stupidity of entitlement.”
This one won’t do much to lift the Sunday spirits, but it’s an important read nonetheless. Here’s Ed Miliband’s thoughtful essay at the London Review of Books on the growing inequality problem in Britain, which should look very familiar to those of us stateside. Here are a couple of less depressing Britain-related links to bring you back around.
Over at ZYZZYVA, Christian Kiefer talks to playwright Octavio Solis and novelist Scott Hutchins about the craft of writing and the difference between writing plays and writing novels. “It takes a huge amount of hard labor, man, to harness the forces that we are using to make our stories. They may emerge whole cloth out of our need to know how we operate as humans, but they’re often clumsy unfinished beasts.” Kiefer’s new novel, The Animals, is one of the most anticipated books of 2015.