Was Miami made for the mystery novel? The most iconic mysteries and detective novels are anchored firmly in their sense of place, and no place is more hospitable to commodifiable crime and violence than sunny South Beach. If it’s more Florida weirdness you’re after, look no further than our own Nick Moran.
“Maybe the optimists are right; maybe poetry does help you live your life. And maybe they are more right than they know, and it rounds you out for death.” Andrew O’Hagan writes for The Guardian about falling in love with poetry and coming to see the poet as “a risk-taker, a miracle-maker, a moral panjandrum and a convict of the senses.”
Recommended Reading: a piece from the New York Review of Books blog on modern attention spans and what they mean for literature. Hint: it’s not looking too promising. Tim Parks closes with a prediction that “the novel of elegant, highly distinct prose, of conceptual delicacy and syntactical complexity, will tend to divide itself up into shorter and shorter sections, offering more frequent pauses where we can take time out. The larger popular novel, or the novel of extensive narrative architecture, will be ever more laden with repetitive formulas, and coercive, declamatory rhetoric to make it easier and easier, after breaks, to pick up, not a thread, but a sturdy cable.”
Several years ago, Jeff Sharlet closely investigated The Fellowship – a “self-described invisible network dedicated to a religion of power for the powerful” – in order to write a book about “how fundamentalism came to be interwoven with American power.” Now, Sharlet has followed up his initial report with an article about Westmont College, a “feeder school” for the religious movement. This is highly recommended reading for anybody interested in the intersections of power, influence, religious fundamentalism, and American politics.
“Poetry is not connected to my professional work – it is my personal world,” says India’s newly-appointed ambassador to Argentina, Amarendra Khatua. Indeed, Khatua’s but the latest high-profile figure in Indian government to turn to creative writing to seek “emotional refuge” and a means of “battl[ing] workplace blues and the stress of decision making.”
Frederick Douglass was one of the first people to use photography to control meaning. Picturing Frederick Douglass: An Illustrated Biography of the Nineteenth Century’s Most Photographed American catalogues his many portraits and how they contributed to our perception of Douglass. Our own Edan Lepucki writes about the place of slave narratives in fiction.