Over at the Southern Humanities Review, Javier Zamora, Veronica Marquez, and others share their poems in a special feature for undocumented writers. Pair with Andrew Kay’s Millions essay on the power of poetry.
It’s a question that puzzles writers of all stripes: why is so much academic writing so terrible? It’s an issue that’s been a lifelong head-scratcher for the linguist Steven Pinker, who set out to answer the question once and for all. His verdict? It has to do with the meaning of “literary style.”
Mozambican author Mia Couto has won the 2014 Neustadt Prize. The prize, which awards the recipient $50,000 and is sponsored by the University of Oklahoma, recognizes exceptional fiction writers, poets and playwrights from around the world. Pair with Philip Graham’s Millions essay on Couto.
"Say surrender. Say alabaster. Switchblade. / Honeysuckle. Goldenrod. Say autumn. / Say autumn despite the green in your eyes. Beauty despite / daylight. Say you’d kill for it. Unbreakable dawn / mounting in your throat. / My thrashing beneath you / like a sparrow stunned / with falling." Last week, Ocean Vuong published his newest collection, Night Sky With Exit Wounds. This week, it seems to be all anyone can talk about (because it's fantastic). Here's a piece from The New Yorker on Vuong and his designs for the English language.