“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
"We editors told ourselves the naked women were merely carnival barkers: they got an audience into the tent, but we kept them with the content." In the Guardian, Playboy's former fiction editor Amy Grace Loyd reveals what it was like to work at the magazine and how she commissioned work from writers like Donna Tartt, Margaret Atwood, and Junot Díaz. Read our review of Loyd's debut novel, The Affairs of Others.
"At a time when heated conversations about diversity and cultural appropriation in literature abound, The Loved Ones is a wondrous gift, a pleasant reminder that there are many thoughtful writers who can create believable characters of multiple races, ethnicities, and genders without relying on caricature or stereotypes." We're all warm inside from Necessary Fiction's lovely review of Millions staff writer Sonya Chung's novel, which we featured in our second-half 2016 book preview.
Literary critic Amitava Kumar has written a personal essay for the Chronicle on his experience reading from Salman Rushdie’s The Satanic Verses at the Jaipur Literary Festival in India, where the work has banned for 23 years. Read The Millions coverage of the festival here.
Every so often, a piece comes along that rends the fragile mind, employing a devil’s portion of mundane details to lay bare the inescapable futility of all human endeavor. This is the only rational way to describe this piece at The Awl, which takes the form of a conversation between Karl Ove Knausgaard and True Detective’s Nic Pizzolatto.