“Historians, I believe, are dedicated to fighting against the tide of our social amnesia. The reason they continue to write books about the Holocaust, or Appomatox, or the earthquake in Haiti, is to try to help us remember the suffering and the extent of the damage. Some try to humanize, and others turn to abstraction.” Stewart L. Sinclair writes on burying the remnants of disaster, over at Guernica. Pair with his Millions essay on technology and Apple’s operating systems.
The October 15 Boston Book Festival boasts a lot of wonders, but one event you shouldn’t miss is “The Wire” writer and producer George Pelecanos alongside series cast members. They’ll discuss “issues of race, class, and institutional failure as portrayed by the most critically-acclaimed series in television history.” Last month, a similar event was held at Housing Works Bookstore Cafe to launch the issue of Criticism dedicated to “Why The Wire (Still) Matters“.
Jacket Copy visits Joan Didion at her apartment in Manhattan to discuss Blue Nights, which moves back and forth between the death of Didion’s 39-year-old daughter, Quintana, six years ago and the author’s reflections on aging. The book is a much anticipated follow-up to 2005’s The Year of Magical Thinking, in which Didion wrote about the death of her husband, John Gregory Dunne.