The Crisis of Criticism

“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.

is an intern for The Millions. Her writing has appeared or is forthcoming in BOMB, Ploughshares online, Music & Literature, Words Without Borders, and elsewhere. She is currently the assistant fiction editor for Washington Square Review. She tweets at @bdantaslobato.

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