“Then there’s the no-one-reads-anymore hysteria, the lack of supportive careers for apprenticing writers, the MFA deathtrap, etc. It feels self-indulgent as a critic to say, ‘But the whole critical structure has broken down, let’s talk about that.’ The critic only comes into play when the books are actually produced and put onto the market, meaning their jobs are tied into this whole decaying, rotting mess of an industry.” Jessa Crispin writes on the self-hating book critic.
Neil Gaiman announced the launch of his first video game, Wayward Manor. The horror-fantasy author (whose latest book was recently reviewed by our own Tess Malone) told Mashable that the game follows “the misadventures of a ghost who wants nothing more than a peaceful afterlife.”
"There is one rule [to writing biography] that all who try their hand at it come to know: until the protagonist reveals his or her character—his or her inner self—what the biographer produces is less a life than a report, an autopsy rather than the record of a séance." David Levering Lewis writes for The American Scholar about biography and writing "the lives of African-American figures, and [finding] in them the story of our times."
Out this week: The Goldfinch by Donna Tartt (who Angela Qian wrote about for The Millions in September); We Are Water by Wally Lamb; Aimless Love: New and Selected Poems by Billy Collins; Roth Unbound: A Writer and His Books by Claudia Roth Pierpont; and The Eternal Wonder, a recently discovered novel by Nobel laureate Pearl S. Buck. For more on these and other new books, check out our Great Second-half 2013 Book Preview.