Recommended Reading: On new posters from the Jet Propulsion Laboratory and space travel’s place in storytelling. Dominic Smith asks why there aren’t more stories in space.
Stories in Space
My Dear Antlers
Ladette Randolph began the Writers and their Pets series on the Ploughshares blog in large part to celebrate her beloved dog Sally. It didn’t take long, however, for the series to expand, which eventually led to this week’s entry about Nina Mukerjee Furstenau’s pet elk.
Print the future.
Clive Thompson, of Wired and The New York Times Magazine, owns a digital copy of War and Peace but had his 16,000 words of notes and annotations printed and bound into a physical book. This, he says, may be the way of the future of reading.
“Murakami, who is nothing if not ambitious, has created a kind of alternative world, a mirror of ours, reversed.”
Though coverage of Haruki Murakami‘s 1Q84 has been ubiquitous this month (appearing on this site as well), it is always worthwhile to read the inimitable New York Review of Books‘ take on such things.
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2010 National Book Award Winners Announced
The 2010 National Book Awards were announced this evening. In fiction, Jaimy Gordon won for The Lord of Misrule; in nonfiction, Patti Smith won for Just Kids; in poetry, Terrance Hayes won for Lighthead; and for young people’s literature, Kathryn Erskine won for Mockingbird.
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London Calling
London is the most popular literary city. Graphic designer Edgard Barbosa made an infographic that visualizes the number of English-language books written about 10 international cities from 1800 to 2000. The locales include Rome, New York City, London, Paris, Tokyo, Madrid, Beijing, Chicago, Cairo, and Mumbai.
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Draining Writing
Recommended Listening: Hanya Yanagihara, author of A Little Life, on Otherppl with Brad Listi. “It was draining in ways that I didn’t really realize until the book was done.” Pair with our own Lydia Kiesling’s piece on life in the works of Yanagihara and Atticus Lish.
Cultural Commentator
“I think people always expect artists to have a larger understanding of the issues they write about. People have looked to writers and artists forever and asked them to be cultural commentators or political commentators, which can be very scary because I can only speak to my own perspective, and I’m figuring this out along with everybody else. I’m not even sure I’m the best person to talk about it, whatever it is, but I’m someone who can and does.” Electric Literature talks with Sarah Gerard about her debut novel Binary Star, which we reviewed here.
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