Recommended Reading: This beautiful essay from The Rumpus on the ambivalence of Jewishness and a whole lot more nuance than this Curiosity can communicate. Here’s an essay by Gabriel Brownstein from The Millions on what it means to be labeled as a Jewish writer.
Who has a bigger vocabulary: Shakespeare or André 3000? It's actually Outkast. Data scientist Matt Daniels created an infographic that charts 85 rappers' unique vocabulary in their first 35,000 lyrics. Outkast uses 5,212 unique words; whereas, Shakespeare only uses 5,170. But Aesop Rock beats the Bard by more than 2,000 words with a count of 7,392 unique words.
For every reader who grew up enamored with LeVar Burton's now-cancelled PBS show, Reading Rainbow, there's fresh hope. A Kickstarter campaign to create a spin-off, web-based version of Reading Rainbow that aims to spread literacy to children in under-served schools was launched yesterday and has already received a significant portion of its funding goal. While there are some concerns about the project, the nostalgia factor is incredibly strong, and who doesn't want to spread the love of reading to children?
“I move in a desultory society and often a week or two will roll by without my going to anybody's house to dinner or anyone's coming to mine, but when an occasion does arise, and I am summoned, something usually turns up (an hour or two in advance) to make all human intercourse seem vastly inappropriate.” In the new issue of The Atlantic Weekly (not to be confused with the Monthly), a reprint of a classic E.B. White essay.
In an interview for Guernica Jonathan Lee talks to Chris Parris-Lamb, the literary agent who represented Chad Harbach's The Art of Fielding, John Darnielle's National Book Award-nominated Wolf in White Van, and now our very own Garth Risk Hallberg's upcoming City on Fire, about "The Art of Agenting." Pair with our own Edan Lepucki's conversation with her agent, "Don't Ever Do It for the Money," and with the opening lines of City on Fire, a Millions exclusive.