Recommended Perusing: This list from Electric Literature of six contemporary innovators of the short story. From Lorrie Moore to Alejandro Zambra, it is some seriously good company.
Sanity Is a Construct
Tuesday New Release Day: Erdrich; Müller; Haddon; Barnes; Null; Hurley; Abramson; Cage
Out this week: LaRose by Louise Erdrich; The Fox Was Ever the Hunter by Herta Müller; The Pier Falls by Mark Haddon; The Noise of Time by Julian Barnes; Allegheny Front by Matthew Neill Null; The Loney by Andrew Michael Hurley; Just Life by Neil Abramson; and The Selected Letters of John Cage. For more on these and other new titles, go read our Great 2016 Book Preview.
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Mark Twain Autobiography
Larry Rohter at the New York Times relates the darker, more cynical Mark Twain that has emerged through publication of the first volume of his unexpurgated autobiography, a century after his death: “One thing that gets Mark Twain going is his rage and resentment.”
The Yellow King’s Clue
Recommended Viewing: Artist Todd Spence has drawn True Detective as a series of Hardy Boys novels. Pair with: Our essay on what female detective novels to read after True Detective.
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Wells Tower has a novel on the way
In a recent interview with Bookforum, Wells Tower dropped an enticing little detail about his latest project: a novel. Playing coy with the interviewer, Tower admitted only that “it will concern a family and it will contain a good number of pages.” No release date has been set at this time.
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Listening to Poems
At The Rumpus, Darcie Dennigan pens a strange and beautiful review of G.C. Waldrep's new collection of poetry, Archicembalo: "I dreamt that G.C. Waldrep was offering me a tumbler of Pepsi, and amid the soda bubbles were many pills."
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Didion’s Perfect Synthesis
"Many writers write vexed introspection, or detail-oriented reporting, or counterintuitive cultural commentary, or lifestyle journalism. But so far only Didion has done all four in perfect synthesis, a prose that, at its best, can fire on every cylinder and work on multiple fields of the imagination at once." In support of the Kickstarter project for the documentary on Joan Didion, We Tell Ourselves Stories in Order to Live, Nathan Heller looks back over Didion's writing career, her "imaginatively seductive" nonfiction writing and her carefully constructed confessionalism in a piece for Vogue.
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To the Arthouse
Back in 2008, Patti Smith kicked off an exhibition with a reading of Virginia Woolf’s The Waves. It may not surprise you to learn that the punk legend, after getting through one sentence, broke into “free improvisation.”