Is envy really the worst form of pettiness, as Kierkegaard suggested? Maybe. The great Roman philosopher Cicero had his own, fairly radical thoughts on envy — namely, that “compassion and envy are consistent in the same man; for whoever is uneasy at any one’s adversity is also uneasy at another’s prosperity.”
“I don’t divide my friendships into continental categories. I don’t think: Today I’ll have lunch with my European friend, and tomorrow I will invite my Asian friend to the park. It would be silly of me to think of the authors I read in those terms. End of topic.” The (still relatively) new Literary Hub interviews Valeria Luiselli about the literary tradition, authors’s names, magical realism and her new novel, The Story of My Teeth.
“When it started almost 15 years ago, [Google Books] … seemed impossibly ambitious,” writes Scott Rosenberg. “An upstart tech company that had just tamed and organized the vast informational jungle of the web would now extend the reach of its search box into the offline world.” But these days, Google’s moonshot has turned into a “mundane reality.” How?
Consider these two Tumblrs as late additions to my three-part (one, two, three) taxonomy of literary blogs. Writers at Work is three years in the making, so we’re a bit late to the party, but Erasing Infinite, which creates erasure poems out of each page of Infinite Jest, looks like it’s got a long way to go before it’s finished.
We’re all familiar with the Grimm-style fairy tales, with their evil stepmothers and imperiled princesses. But a new collection of 19th century Bavarian folk tales has been discovered, edited, and now released in English for the first time, and they’re darker, dirtier, and involve more gender-bending than the Grimm tales. Salon talks with the tales’ translator, Maria Tatar, about their history, importance, and “the surprising ways they upend our long-standing notions of the roles of heroes and heroines in some of Europe’s oldest and most popular stories.”
Here are three pieces about horror in honor of 2012 being the centenary of Bram Stoker’s death. 1) Yazan al-Saadi’s fascinating survey of Arabic horror cinema, which is not only “about what can frighten most Arab audiences, [but is] … also a chronicle of the abnormalities and dysfunctions lacing the underbelly of Arabic cinema as a whole.” 2) Ed Park’s essay on “the audacious enterprise” of Rosemary’s Baby. 3) Stuart Kelly’s entreaty for modern writers of horror to “raise its game.”