Is envy really the worst form of pettiness, as Kierkegaard suggested? Maybe. The great Roman philosopher Cicero had his own, fairly radical thoughts on envy — namely, that “compassion and envy are consistent in the same man; for whoever is uneasy at any one’s adversity is also uneasy at another’s prosperity.”
Ahead of National Poetry Month, Publishers Weekly Poetry Reviews Editor Craig Morgan Teicher asks and answers the questions many have contemplated: “What is accomplished by poetry reviews? Do they help sell books? Do they keep the art form in line? Do they spur writers into creating better poetry or kick bad writers out of the halls of Parnassus? Do poetry reviews help readers?”
Chris Adrian‘s pedigree is impressive: former Harvard Divinity student; Iowa Writer’s Workshop graduate; current fellow in UCSF’s pediatric hematology/oncology department; lifelong fan of Shakespeare. He’s also found time to appear in The Paris Review, The New Yorker, and McSweeney’s. Great Night, his latest novel, imaginatively reboots A Midsummer Night’s Dream by setting it in San Francisco’s Buena Vista Park. Here’s some footage of him reading an excerpt at last month’s FSG Reading Series.
Recommended reading: Michael Booth writes for The Paris Review about the work of Danish author Aksel Sandemose and the “enduring mark on the national character” his satirical Jante Law has left.
Art is about connecting the dots, Amanda Palmer proposed in her keynote address on creativity and sharing art in the internet age at the 2013 Grub Muse Literary Conference earlier this month. “For every bridge you build together with your community of readers, there’s a new set of trolls who sit underneath it,” she said about the internet.