“Over the course of our conversation, I’ve come to understand that he has not written (Thomas Jefferson Dreams of Sally Hemings) to provoke or to engender a self-serving sense of shock; he has written with a belief in the possibilities of liminal space and in the revelations that occur at the point of tension. The result is a book that jars, unequivocally, and that disquietingly brings to the surface the anguish of past and present America.” Stephen O’Connor’s poetic reimagining of the relationship between Thomas Jefferson and the enslaved Sally Hemings has certainly raised some eyebrows. This interview with Melody Nixon at BOMB gives O’Connor a platform from which to explain his idea.
Significant Thinking
True Story
Over at Granta, Melissa Febos writes about truth. As she puts it, “The true telling of our stories often requires the annihilation of other stories, the ones we build and carry through our lives because it is easier to preserve some mysteries.”
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Football Book Club: Allie Brosh’s ‘Hyperbole and a Half’
This week, Football Book Club will be reading Allie Brosh’s Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened — as well as chatting about Steven Millhauser’s Edwin Mullhouse, bemoaning our empty NFL-free lives, and weeping about the shittiness of our respective teams.
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The Art of the Novella
Taylor Antrim at the Daily Beast explores the art and business of the novella, and offers up a few recent “unexpectedly revelatory” suggestions.
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Charles Dickens, True Crime Fan
During a bout of insomnia in 1851, Charles Dickens decided to shadow a new addition to the London police force: detectives.
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Mining and Mapping Life with Patricia Engel
Patricia Engel discusses her latest novel, Infinite Country, and how storytelling was instilled within her from an early age.
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