“You’ll engage with your advisor in a free-form dialogue about essential skills such as plotting your next career, pacing your financial ruin, structuring TV binge-watching during optimal writing hours, and characterizing all of this as ‘learning how to fail.'” Hey, this new low-competency MFA from the fictitious Half Mast College sounds pretty great. Here’s our own Hannah Gersen on why she has foregone the MFA route entirely.
Show Up, Don’t Show Up
“Tongue-in-Cheek Tocqueville”
“‘So your idea is to drive across America and write about it without talking to a single American?’ ‘Yes.'” Karl Ove Knausgaard travels North America as “a tongue-in-cheek Tocqueville” for the New York Times Magazine. Pair with his piece for The Millions, “The View from My Window is a Constant Reminder,” and with Jonathan Callahan‘s reading of Knausgaard’s My Struggle.
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What’s in a Name?
Why would anyone write a book anonymously? Maria Bustillos ponders anonymity at The New Yorker. “Anonymous is more than a pseudonym. It is a stark declaration of intent: a wall explicitly thrown up, not only between writer and reader, but between the writer’s work and his life.”
Four Legs Good
This week in book-related infographics: a look at “Memorable Animals from Literature” ranging from Moby Dick to Snowball to Jonathan Livingston Seagull. After all, lest we forget, “four legs good, two legs bad.”
Ciao, Napoli
Elena Ferrante uses a pseudonym. We may not know her given name, but we do know her home city – Naples. Read about realism in her work from Irene Caselli, who also calls Naples home. Want to know more about Ferrante? She does interviews.
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Maud Newton Talks to Philip Connors
Today at The Paris Review blog, Maud Newton talks to Philip Connors, author of Millions most-anticipated book Fire Season.
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