Over at The New Yorker, Hilton Als writes about Beyoncé’s Lemonade, Prince, Cecil Taylor, Octavia Butler, and time travel. He writes, “Toward the end of the film, [Beyoncé] moves further back into the past and examines her roots, we see any number of sharply dressed women sitting in the natural world, talking among themselves. This will remind readers of that extraordinary scene in Beloved, when the elder commands those who have gathered in a clearing to love their hands, themselves—because if they don’t, who will?”
“Everyone was compared to García Márquez or Fuentes once upon a time. Now it’s Bolaño or Vila-Matas (best case scenario). I am not sure what the reason for this is. There are many possible explanations. One may be that Latin America is still conceived by many as a kind of remote, torrid zone, an isolated and disconnected region of the world. So the only possible references associated with younger writers are the better-known older ones, always writing within the same language.” Over at The White Review, Stephen Sparks interviews Valeria Luiselli about Latin American criticism and borrowing from the past. Also check out Lily Meyer’s Millions review of Luiselli’s new novel, The Story of My Teeth.
It started with Mike Daisey, and eventually led to a series of profiles in The New York Times, but ultimately Apple launched a serious audit of their Chinese sub-contractors at the Foxconn Technology plants. Now, thanks to increased awareness, those workers will see 16-25% raises in pay.
“[I]t’s important that people begin to understand that whiteness is not inevitable, and that white dominance is not inevitable.” Claudia Rankine talks to The Guardian about her plans for the Racial Imaginary Institute, a think-tank-cum-gallery that she’s founding with all that MacArthur Genius cash. See also: why Americans love poetry, but not poetry books.
It’s time again for spring cleaning, as well as the more enjoyable spring reading. Scott Esposito at Conversational Reading is gearing up for Your Face This Spring, which will read the entire 1200 pages of Javier Marías‘s Your Face Tomorrow trilogy. And Big Other is orchestrating a group read of Flann O’Brien‘s At Swim-Two-Birds. After you finish a closet, open a book–both start next week.