To mark the 400th anniversary of Shakespeare’s death, check out 25 author’s reflections on his work. (The tube map has also been recreated in his honor.) You could also read Stefanie Peters’s thoughts on why we continue to rewrite the Bard’s stories.
400 Year of Shakespeare
There’s Even a Cash Prize
“Without your micro-fiction, we’re like a flightless bird, sauceless noodles, or decarbonated LaCroix. We loved the response to our last contest so much that, naturally, we’re having another one.” Submit your 200-word stories of separation to Paper Darts for its second annual micro-fiction award, judged this time around by Lesley Nneka Arimah (whose What It Means When a Man Falls from the Sky graced our most-anticipated list for the first half of this year).
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Words for Cash
Tim Parks takes a look at recent literary history and sincerely asks, does money make us write better? Supplementary reading: Nick Ripatrazone’s look into the economy of literary magazines.
Steve Jobs Goes Graphic
Late Apple co-founder Steve Jobs has been immortalized in books, documentaries, and TV specials, with rumors that his story might eventually make its way to the big screen. Now you can add graphic novel to that list; on Tuesday PC Magazine noted the release of The Zen of Steve Jobs.
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Do Books Make Friendships?
Do friendships form because of shared interests, or do those interests develop due to the friendship? Facebook reveals that music and film make friendships; books, not so much.
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Reviewing Reviews
Our own Emily St. John Mandel guest judged Electric Literature’s Critical Hit Awards this month. She discussed what she looks for in a book review in an interview with Brian Hurley. “I prefer reviews that go beyond talking about literature, so that the book under review is considered in the context of the surrounding world,” she said. The winners are Andrew Winer’s review of The Kraus Project by Jonathan Franzen, Rachel Monroe’s review of The Contested Murder of Latasha Harlins by Brenda Stevenson, and our own review of Karen Green’s Bough Down by Suzanne Scanlon.
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