“When Leonard Riggio bought Barnes & Noble in 1971, it consisted of a single struggling store in Manhattan. Over time, with swagger and an unwavering belief in the value of physical bookstores, he turned it into the country’s largest bookselling chain.” Riggio, founder and executive chairman of B&N, announced yesterday that he will be stepping down in September. Let our own Janet Potter take you through a history of her love for bookstores.
Riggio Steps Down
Tuesday New Release Day: Hanif, Grossman, Barnes
New this week is Our Lady of Alice Bhatti by Mohammed Hanif and Lev Grossman’s The Magician King and Julian Barnes’s Booker-winning The Sense of an Ending are out in paperback.
What Knoll Knows
Jessica Knoll shares the survival story that informed her novel, Luckiest Girl Alive.
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They’re Burning Books
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
Stories in Space
Recommended Reading: On new posters from the Jet Propulsion Laboratory and space travel’s place in storytelling. Dominic Smith asks why there aren’t more stories in space.
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Tuesday New Release Day: Pollan, Sedaris, Stelter, Currey, Thompson, Stothard, Rutherfurd, Wecker, Riley
The headliners this week are on the non-fiction side: Michael Pollan’s Cooked and Let’s Explore Diabetes with Owls by David Sedaris. Also new in non-fiction: Top of the Morning: Inside the Cutthroat World of Morning TV by the Times’ Brian Stelter and Daily Rituals: How Artists Work by Mason Currey. In fiction: The Humanity Project by Jean Thompson, The Pink Hotel by Anna Stothard, Paris by Edward Rutherfurd, The Golem and the Jinni by Helene Wecker, and The Enchanted Life of Adam Hope by Rhonda Riley.
“Will you sign my house?”
“Is this skyscraper autobiographical?” People say some pretty ridiculous things about writing. To put it in perspective, Mallory Ortberg presents “If We Talked About Architecture Like We Talk About Writing.”