“Why is love rich beyond all other possible human experiences and a sweet burden to those seized in its grasp? Because we become what we love and yet remain ourselves.” The remarkable love letters of Hannah Arendt and Martin Heidegger are both touching and predictably philosophical. Here’s a jarring, surreal reimagining of three works of Arendt’s over at 3:AM Magazine.
Remain Ourselves
Holy Order in Remote Places
The last book that Genevieve Hudson for The Rumpus loved was James Salter’s classic of mountaineering, Solo Faces. Here’s an essay from The Millions on why Salter was one of the best at writing sex.
No More McNuggets
Back in 2011, our founder C. Max Magee pointed to the fan art of Chris Ayers, who was inspired by DFW’s Infinite Jest. Now, Ayers has a new series, drawn from Margaret Atwood’s MaddAdam trilogy, that illustrates the corporate horrors of the trilogy’s fictional dystopia. Pair with Vanessa Blakeslee on Atwood’s In Other Worlds.
Michael Lewis’s Flash Boys Arrives
After some initial mystery leading up to publication, Michael Lewis’s new book Flash Boys is here and its subject is high-speed trading (sometimes called “high-frequency trading) that uses supercomputers and complex trading algorithms to attempt to generate profits through brute force. Lewis has become the most popular writer on Wall Street, giving readers a look behind closed doors. The Times has an excerpt of Flash Boys, while Bloomberg has more detail.
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Roxane Gay at AWP
Watch Year in Reading alum Roxane Gay discuss Bad Feminist at AWP via PBS. You could also read our review of Gay’s first novel, An Untamed State.
The Gone Girl With The Dragon Tattoo On The Train
Someone’s finally done it, and it’s our own Emily St. John Mandel, to boot: over at FiveThirtyEight, Mandel crunches the numbers on books with the word “girl” in the title, concluding that we may not have reached peak girl yet. (Also 65% of the time, the girl in question is actually a woman.) Nonetheless, if you’re looking to go rogue, check out our guide about how to title every book you ever write.
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Lolita, in the Margins
When Vladimir Nabokov developed a screen adaptation for Lolita, his director Stanley Kubrick declared it the “best ever written in Hollywood”–meaning, it seems, most gorgeously novelistic, evocative, readable. Here’s a short excerpt of his screenplay with original margin notes.
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We Done Good
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I’m Tellin’ Y’all It’s Sabotage
You’ll never want to turn in a library book late again after seeing the spoof video of The Beastie Boys’ “Sabotage” featuring crime-fighting librarians.
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