“I’m here to visit the prison’s weekly book club. Six men burst through the library doors, holding copies of White Teeth by Zadie Smith.” Emily Rhodes shares stories from inside a prison book group.
Reading Unites
Celebrating, Not Sanitizing, Complicated Women Writers
"Somehow, in my eagerness to honor these words, I’d tamed the political intentions behind their meaning. I’d reduced my icon’s truths into affirmational pick-me-ups rather than letting them sink deeper." Dianca Potts reflects on how to best to appreciate the fullness of Maya Angelou, Audre Lorde and Toni Morrison. We need to resist erasing their complexities in our haste to embrace them as icons or reduce them to inspirational quotes.
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I’ll Be Your Unicorn
When job interviews and Tinder combine, what is the outcome? Megan Sawey shows us at The Rumpus. Pair with an essay on day jobs and fiction writing.
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The Ongoing Reconsideration of Dave Eggers
The Guardian offers a long, worthwhile profile of Dave Eggers, who suddenly is being considered and reconsidered seemingly everywhere. "The McSweeney's empire... often gets characterised as a kind of cabal: a hip, young gang. [Eggers] and [wife Vendela] Vida, whose writerly circle includes Nick Hornby, Rick Moody, Jonathan Lethem and Joyce Carol Oates, tend to be seen as tastemakers. He thinks this is ridiculous." (Thanks Emre!)
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Posthumous Hitch
Christopher Hitchens' final piece of writing has been published by Vanity Fair. It's about Charles Dickens, and in particular the author's "willingness to atone for his mistakes."
Tuesday New Release Day: Evison, Oates, Theroux, Fontane
New this week is Jonathan Evison's West of Here, Joyce Carol Oates' memoir A Widow's Story about the death of her husband (this was the source of her recent, quite moving essay in the New Yorker), and the expanded rerelease of Alexander Theroux's The Strange Case of Edward Gorey. Also new on shelves from NYRB Classics is Irretrievable by Theodor Fontane, with an introduction by Phillip Lopate, who discussed Fontane in our Year in Reading in December.
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Version Control
“Arguably versioning is a practice reserved for when a literary translator isn’t available or perhaps doesn’t actually exist who can bridge both languages. At worst, it has and can be done by colonisers or writers from major languages mangling minor literatures for sport and without care from a position of imbedded prejudice, power and authority.” Jen Calleja on the difference between translating and versioning of an original text, over at The Quietus.