“I’m here to visit the prison’s weekly book club. Six men burst through the library doors, holding copies of White Teeth by Zadie Smith.” Emily Rhodes shares stories from inside a prison book group.
Reading Unites
Tuesday New Release Day: Inbinder; Gunn; Marston; British Library
Out this week: The Devil in Montmartre by Gary Inbinder; The Emperor of Ice Cream by Dan Gunn; Deeds of Darkness by Edward Marston; and The Cat and the Moon and Other Cat Poems, chosen by the British Library. For more on these and other recent titles, check out our Great Second-half 2014 Book Preview.
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Tuesday New Release Day: Carey; Cusk; July; Gerard; Buwalda; Hawkins; Bender; Goldhagen; Sansal; O’Nan
New this week: Amnesia by Peter Carey; Outline by Rachel Cusk; The First Bad Man by Miranda July; Binary Star by Sarah Gerard; Bonita Avenue by Peter Buwalda; The Girl on the Train by Paula Hawkins; Refund by Karen Bender; In Some Other World, Maybe by Shari Goldhagen; Harraga by Boualem Sansal; and West of Sunset by Stewart O’Nan. For more on these and other new titles, check out our Great 2015 First-Half Book Preview.
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Saddle Club
Without the influence of Black Beauty, current opinions of horses and preadolescent girls’ reading lists might have looked very different.
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Beware of the Dog
This week in book-related news: a new coffee table book devoted solely to Marc Jacobs’ bull terrier, who happens to be an Instagram celebrity.
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Fame: A P&L
$500,000 annual home improvements? $125,000 allotted for annual “domestic salaries and expenses?” A $95,000 tutor for Gwyneth Paltrow’s 5-year old? New York Magazine‘s “Celebrity Economy” package is as thorough and informative as it is revolting.
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What We Can Learn from Goodnight Moon
Aimee Bender, Year in Reading alum and author of, most recently, The Color Master, writes for The New York Times about the structural genius of Goodnight Moon: “[The story] does two things right away: It sets up a world and then it subverts its own rules even as it follows them.”
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Don’t Shy Away
Bad news for writers: shyness can’t be cured. Good news for writers: shyness makes us more creative.