Citizen author Claudia Rankine spoke about racial tokenism in MFA workshops in her AWP keynote speech last week. As she puts it, “The white students aren’t being challenged to think harder about the assumptions they are making in workshop.”
The kind folks at the PEN American Center recorded Colum McCann’s recent conversation with author and soccer ace Aleksandar Hemon. Listen to the pair discuss the Western distinction between fiction and non-fiction, and also the hypothetical merits of “watching a potato.”
Split This Rock’s Tenth Annual Poetry Contest is now open for submissions, judged by Sheila Black. All prize winners will be invited to read at the 2018 Split This Rock Poetry Festival and have their poems published in The Quarry.
As you probably read last week, Elon Musk (founder and CEO of Tesla Motors and SpaceX) is sure that we're living in a computer-generated simulation. Over at The New Yorker, Joshua Rothman takes a hard look and tries to determine the actual odds of humans inhabiting a simulated world.
Sasha Frere-Jones, who you may know from his work at The New Yorker, has listed his favorite albums of 2011, and even put together a Spotify playlist of some of his favorite singles. Isn't that nice of him?
"Your shipment of personal copies will never arrive. Your publisher will not be able to track their fate, nor replace them. A week will pass and you will wander into the animal shelter at a nearby strip mall and find a dog cage lined with the urine-soaked pages of your book. Your eyes will meet the eyes of the miniature schnauzer that resides in your shredded work. You’ll think: this is fate. But the adoption center won’t approve your application because you can’t claim any substantial income." Electric Literature has compiled the "The Ten Ways Your Life Will Change After You Publish Your First Book," so you can't say you weren't warned.
It’s official, kids: Dave Eggers will publish a new novel this fall. Named The Circle, the book tells the story of Maeve Holland, a woman who takes a job at a Google-esque company in California. Despite the seemingly idyllic nature of the fictional company’s campus, Knopf assures us that the book is “a novel of suspense.”