Citizen author Claudia Rankine spoke about racial tokenism in MFA workshops in her AWP keynote speech last week. As she puts it, “The white students aren’t being challenged to think harder about the assumptions they are making in workshop.”
In an in-depth interview for Nomadic Press, Shira Erlichman describes what it's like to make art while living with mental illness. As she puts it, “The thing that is so strange to me is that it was so wide-lensed. Everyone thinks, ‘Oh, you go crazy, like in the movies. You’re just suddenly crazy.’ But there was such a domino effect. One little thing—it’s almost like 70 dominoes lined up in one track that all lead to one conclusion.” Pair with Gila Lyons’s Millions essay on writing through illness.
New this week is Sarah Vowell's Unfamiliar Fishes (reviewed here) along with new story collections from E.L. Doctorow (All the Time in the World) and Jim Shepard (You Think That's Bad). Also new this week is Kate Atkinson's latest Jackson Brodie mystery Started Early, Took My Dog and Paul McEuen's debut mixing "science and suspense" Spiral. Out in paperback is Millions Hall of Famer A Visit from the Goon Squad by Jennifer Egan.
“Tom Stoppard isn't shy about tackling literary giants. The British playwright has rewritten Hamlet for the stage and recently turned Tolstoy's Anna Karenina into a Hollywood feature. But he struggled with a television adaptation of Ford Madox Ford's sprawling modernist masterpiece Parade's End.”
A couple weeks ago, we published our review of Ben Lerner’s 10:04, the follow-up to his debut Leaving the Atocha Station. At the Poetry Foundation’s blog, Adam Plunkett argues that 10:04 inadvertently reveals its author’s poetic training. The book, he says, “dissolves into a poem.”